L to R: Installation views, "Francesca Woodman: Alternate Stories," Marian Goodman Gallery, New York, 2021. Courtesy of Marian Goodman Gallery. Photos by Alex Yudzon.
Installation view, "Francesca Woodman: Alternate Stories," Marian Goodman Gallery, New York, 2021. Courtesy of Marian Goodman Gallery. Photo: Alex Yudzon
ON VIEW: "Francesca Woodman: Alternate Stories" at Marian Goodman Gallery, New York, New York, 2021
This solo exhibition of vintage photographs by Francesca Woodman includes more than twenty previously unseen works and draws on the artist's writings about her practice in newly available archival material from the Foundation's holdings. The show presents thematic threads and groupings of images in relational contexts, offering a fresh perspective on Woodman's work.
Francesca Woodman. "Untitled," 1978, 8 3/8 x 8 9/16 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Francesca Woodman in “New Time: Art and Feminisms in the 21st Century” at BAMPFA, Berkeley, California, 2021
This ambitious survey of recent feminist practices in contemporary art begins with Lucy Lippard’s observation that feminist art is “a value system, a revolutionary strategy, a way of life.” While the majority of works on view were made in the first two decades of this century, highlighting the wide-ranging concerns and multiple perspectives of contemporary artists, influential works made by artists of earlier generations are also featured, including three photographs by Francesca Woodman.
Envelope for letter from George Woodman in Boulder, Colorado to Francesca Woodman in Rome, Italy, October 19, 1977. Woodman Family Foundation Archives.
ON VIEW: Betty Woodman, Francesca Woodman, and George Woodman in “Interior Scroll or What I Did on My Vacation” at S&S Corner Shop, The Art Building, Springs, New York, 2021
We are pleased to announce that this exhibition includes a selection of correspondence written between Betty, Francesca and George Woodman in 1978, as well as Francesca Woodman’s “Selected Video Works,” 1976-1978.
L to R: Installation view, “Rincontrarsi a Venezia,” Spazio Berlendis, Venice, Italy, 2021, including “Untitled,” 1980. 101.93 x 36.62 in. Diazotype / "Self-Deceit #2,” 1978, from the "Self-Deceit" series, 3 9/16 x 3 1/4 in. / “Self-Deceit #7,” 1978, from the "Self-Deceit" series. 3 5/8 x 3 9/16 in. All gelatin silver prints. All works by Francesca Woodman © Woodman Family Foundation / SIAE, Rome
Installation view, “Rincontrarsi a Venezia,” Spazio Berlendis, Venice, Italy, 2021. Artwork by Francesca Woodman © Woodman Family Foundation / SIAE, Rome
ON VIEW: Francesca Woodman in “Rincontrarsi a Venezia” at Spazio Berlendis, Venice, Italy, 2021
LAST CHANCE TO SEE Francesca Woodman in Rincontrarsi a Venezia at Spazio Berlendis, Venice, Italy. On view through July 17, 2021.
Francesca Woodman. "#1" or "House #1" or "Abandoned House," 1976, from the "Abandoned House" series, 4 15/16 x 5 116 in. Gelatin silver print. Collection of the Addison © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Francesca Woodman in "Learning to Look: The Addison at 90" at the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, 2021
The Addison has a long and important history with Francesca Woodman. It was the first institution to collect her work, purchasing six of her photographs in 1976. She had her first solo exhibition there that same year, including works she made while studying at Rhode Island School of Design.
Francesca Woodman. "Untitled," c. 1979-80. 3 7/8 x 3 7/8 in. Gelatin silver print © Woodman Family Foundation / Copyright Agency, Sydney
ON VIEW: Francesca Woodman in "The Body Electric" at National Gallery of Australia, Parkes, Australia, 2021
LAST CHANCE to see Francesca Woodman in "The Body Electric" at the National Gallery of Australia!
L to R: "Untitled," 1979. 3 3/8 x 3 1/2 in. Chromogenic print | "Untitled," c. 1979-80, 5 1/2 x 5 7/16 in. Gelatin silver print. All works by Francesca Woodman © Woodman Family Foundation / SIAE, Italy
Francesca Woodman. "Untitled," 1979. 3 3/8 x 3 1/2 in. Chromogenic print. © Woodman Family Foundation / SIAE, Italy
CLOSING: "Francesca Woodman: New York Works" at Victoria Miro Venice, Venice, Italy, 2020
LAST CHANCE to see "Francesca Woodman: New York Works" in Venice this week! On view through Saturday, December 12, 2020 at Victoria Miro Venice.
Francesca Woodman. "Untitled," 1979, 3 5/16 x 3 7/16 in. Chromogenic print © Woodman Family Foundation / SIAE, Rome
ON VIEW: "Francesca Woodman: New York Works" at Victoria Miro Venice, Venice, Italy, 2020
This exhibition centers on a rare series of color photographs that Francesca Woodman staged in her New York apartment in 1979.
Francesca Woodman. "Untitled," c. 1975-78, 5 x 5 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Francesca Woodman in "Bodyscapes" at The Israel Museum, Jerusalem, Israel, 2020
A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.
Francesca Woodman. "Angels," c. 1977-78, 3 3/4 x 3 13/16 in. Gelatin silver print © Woodman Family Foundation / BILDKUNST, Bonn
ON VIEW: "Francesca Woodman: On Being an Angel" at C/O Berlin, Berlin, Germany, 2020
LAST CHANCE to see "Francesca Woodman: On Being an Angel" in Berlin this week!
Francesca Woodman. "Untitled," c. 1975-78, 7 3/8 x 7 5/16 in. Gelatin silver print © Woodman Family Foundation / DACS, London
ON VIEW: Francesca Woodman in "The Enchanted Interior" at Guildhall Art Gallery, London, 2020
Photographs from Francesca Woodman’s House series alternately suggest entrapment or escape in this exhibition of works exploring the conventions and implications of interior spaces.
Francesca Woodman. "Untitled," c. 1977-78, 5 1/8 x 5 1/2 in. Gelatin silver print © Woodman Family Foundation / Copyright Agency, Sydney
ON VIEW: Francesca Woodman in "The Body Electric" at National Gallery of Australia, Parkes, Australia, 2020
Photographs by Francesca Woodman explore tropes of femininity in this exhibition of photography and videos centered on sex, love and desire.