Bibliography
Monographs and Solo Exhibition Catalogues
Woodman, George. Paper Tilings by George Woodman. Dayton: Wright State University Galleries, 1982.
Princenthal, Nancy. George Woodman: The Camera Obscura Photographs. Kansas City: Grand Arts, 2004.
Frank, Edwin. Pitti Rivisitato. Florence: Centro Di, 1997.
Bagnai, Alessandro. Heroines. Florence: Galleria Alessandro Bagnai, 2013.
Paglia, Michael. George Woodman: Sensuality in a World of Reason. Boulder: Boulder Museum of Contemporary Art, 1998.
Berlind, Robert. George Woodman: Paintings 1960-2000. Omaha: Bemis Center for Contemporary Arts, 2006.
Artist's Books
Woodman, George, and Iris Cushing. How a Picture Grows a World. Florence: Galleria Alessandro Bagnai, 2010.
Woodman, George, and Edwin Frank. The Further Adventures of Pinocchio. New York: Lo Specchio d’Arte, 2004.
Woodman, George. Metaphysics is to Metaphor as Cartography is to Departure. Florence: Galleria Alessandro Bagnai, 2011.
Woodman, George, and Max Kozloff. Museum Pieces: Photographs by George Woodman. New York: Lo Specchio d’Arte, 1996.
Other Books and Catalogues
Contemporary Screens. San Francisco: The Art Museum Association of America, 1986.
The Body: Photoworks of the Human Form. London: Thames and Hudson, 1994: 384.
Eyemazing: The New Collectible Art Photography. London: Thames & Hudson Ltd., 2013.
19 Artists—Emergent Americans. New York: Solomon Guggenheim Museum, 1981.
Pattern, Crime & Decoration. Paris: Les Presses Du Reel, 2020.
Patterning and Decoration. Miami: Museum of the American Foundation for the Arts, 1977.
With Pleasure: Pattern and Decoration in American Art 1972-1985. New Haven: Yale University Press, 2019.
The Folding Image. Washington, D.C.: National Gallery of Art, 1984.
One + One. Boca Raton: Boca Raton Museum of Arts, 1984.
Systemic Patterning, New York: Hansen Gallery, 1980
Partitions. Brooklyn: Department of Exhibitions, Pratt Institute, 1982.
Art in Stations: the Detroit People Mover. Detroit: Wayne State University Press, 2004.
Essays and Reviews
“Pattern Recognition: In the 1970s and ‘80s a bold group of American artists embraced vibrant color, ornament, and craft.” Art in America, Sep. 2019.
“Voice Choices.” The Village Voice, 31 December 1991.
“A Glorious Mess.” Newsweek, Mar. 1981.
“Refelja en fotos recuerdo y dolor.” Reforma, 28 Apr. 1999.
“George Woodman, Heroines.” TG Toscana Edizione delle 19.30, RAI TV, 1 Jan. 2013.
“Accordi di Colore e Amonie di Forme.” Keramikos (Feb. 1991): 58-61.
“Una Bi-Personale: George Woodman e Manfred Bischoff.” Stamp Toscana, 22 Nov. 2012.
“Behind the curtain, a lock of hair falling.” Artforum, Sep. 2011.
“George Woodman at the Palazzo Pitti.” Art in America, Feb. 1998.
“Tile Art Reborn: People Mover Stop to Re-open at RenCen.” Detroit Free Press, 17 Nov. 2004.
“Work that Fits a Timeless Pattern.” Rocky Mountain News, 15 Mar. 1998.
“George Woodman.” Arts Magazine, Apr. 1982.
“New Work: George Woodman.” Arts Magazine, May 1981.
“Imagio escenarios y realizo construcciones completas de una imagen a traves de la fotografia: George Woodman.” La Cronica, 28 Apr. 1999.
“George Woodman.” Eyemazing 4 (2012).
“The Screen Comes into Its Own.” New York Times, 19 Sep. 1982.
“Uptown, It’s Couples.” New York Times, 17 Feb. 1984.
“Art in Review.” New York Times, 27 Dec. 1991.
“Visual Legacy: Bemis Center retrospective celebrates 40 years of Woodman paintings.” Omaha City Weekly, 7 Mar. 2007.
“Betty Woodman and George Woodman showcase works at Charleston Gallery.” STIR, 26 Mar. 2023.
“George Woodman: Watercolors.” Art in America, Summer 1981.
“Otra manera de contemplar el tiempo: Cuando la vista no es suficiente.” Orgina, May 1999.
“The Art of Living.” New York Magazine, 6 Apr. 1981.
“George Woodman, la fotografia come un lungo fiume di classicità.” La Republica, 23 Nov. 2012.
“George Woodman Photographs.” Artvoice, 14 Apr. 2016.
“Betty and George Woodman, platter artists.” Financial Times, 26 Feb. 2023.
“La mise en abyme del corpo femminile.” Artribune, 14 Jan. 2013.
“Pattern and Place.” Metropolis, Oct. 1984: 17–19, 26.
"Betty & George Woodman: domestic ceramic from Italy to Charleston." Recessed Space, 5 May 2023.
“Betty, Charlie, Francesca, and George.” TimeOut Boston, 6 Dec. 2010.
“George Woodman: come la nostra arte ha influito sul lavoro di Francesca.” Maldetti Fotografi, 3 June 2014.
“A Closer Look.” The New York Art World, Feb. 1999.
“Fotosensible: Composiciones y dialogos de Woodman.” El Heraldo, 9 May 1999.
“George Woodman, Heroines.” Wall Street International Magazine, 15 Jan. 2013.
“Immagini da un altro Pitti.” La Repubblica, 8 July 1997.
“Italian Design: Florence.” Interni, May 1986.
“Keramikbilder von George Woodman Im Theater von Denver (USA).” Mit Fliesen Leben, 1993: cover, 22-45.
“Panello Artistico Progetto George Woodman.” Domus, Apr. 1989.
Artist's Writings
“The Significance of Investing Industrial Profit into Fine Arts.” International Architectural Ceramic Conference. Gimhae: ClayArch Gimhae Museum, 2006.
“The Armory Group: 40 Years.” Denver: Mizel Center for the Arts and Culture, 2006.
“The Life of Things in the Eye and the Mind of Americans.” Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art. Huntington: Huntington Museum of Art, 2003.
“Some Photographs of Photographs,” The Ohio Review, No. 60, 1999
“Portfolio– George Woodman,” Fotophile, no. 33, Autumn, 1999
“The Unknown Matisse by Hilary Spurling." The Readers Catalogue, 1999.
“The Paintings of Margaretta Gilboy,” Between Heaven and Earth. Philadelphia: The Philadelphia Art Alliance, 1999.
“In Her Studio.” Betty Woodman: Between Sculpture and Painting. Fort Dodge: The Blanden Memorial Art Museum, 1999.
“The Art of Sydney Biddle.” Sydney Biddle: Some Paintings, Monotypes, Drawings, 1999.
“Clare’s Language.” Incoming Tide: Works by Clare Chandler Forster. Minneapolis: Minnesota Center for Book Arts, 1998.
“Prints from Shark’s Inc.” Working Proof. Boulder: University of Colorado Art Galleries, 1996.
Scott Chamberlin: Recent Sculptures. Boulder: Boulder Arts Center, 1995.
“Joy Walker.” Joy Walker 1970-1995: 25 Years. New York: 55 Mercer Gallery, 1995.
“Unified Perspective.” The Studio Potter 23.1 (Dec. 1994): 3.
“Ceramics and the Biography of Vision.” The Studio Potter 17.1 (Dec. 1988).
“Sic Transit Gloria Storrs.” The Village Voice, Jan. 1987.
“Getting Your Word’s Worth.” The Village Voice, Dec. 1987.
“Mimbres Only.” The Village Voice, 28 Jan. 1986.
“The Problem of Color in Ceramics.” The Studio Potter 14.2 (Jun. 1986).
“Gulliver in the Garden.” The Village Voice, 3 Nov. 1986.
“Why (Not) Ceramics?” New Art Examiner 13.1 (Sep. 1985).
“The Decorative Vessel.” Ceramic Echoes. Kansas City: Nelson Gallery, 1983. Reprinted in: Clark, Garth, ed. Ceramic Millennium. Halifax: The Press of the Nova Scotia College of Art and Design, 2006.
“Ceramic Decoration and the Concept of Ceramics as a Decorative Art.” American Ceramics 1.1 (Winter 1982). Reprinted in: Clark, Garth, ed. Ceramic Millennium. Halifax: The Press of the Nova Scotia College of Art and Design, 2006.
"Criticism in Ceramics,” Studio Potter 9.1, Dec. 1980
“Pattern,” Criss-Cross Art Communication: The Criss-Cross Pattern Project, No. 10, 1979
Artist Statement, Criss-Cross Art Communication: The Criss-Cross Pattern Project, No. 10, 1979
“Statement,” Criss-Cross Art Communications #6, 1978
“Pueblo Pottery – A Problem in Critical Assimilation,” Vessel & Image: Prehistoric Southwest Indian Pottery. Boulder, Colorado: Department of Fine Arts, University of Colorado at Boulder, 1977
“Aspects of the Future of American Crafts,” Profile, Vol. 2 No. 3, December 1963
“The Construction and Use of an Adobe Kiln,” Pottery Quarterly: A Review of Ceramic Art, Vol. 6, No. 23, 1959