Francesca Woodman

A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.

LAST CHANCE to see Francesca Woodman: On Being an Angel in Berlin this week!

Photographs from Francesca Woodman’s House series alternately suggest entrapment or escape in this exhibition of works exploring the conventions and implications of interior spaces.

Photographs by Francesca Woodman explore tropes of femininity in this exhibition of photography and videos centered on sex, love and desire.

C/O Berlin presents the first comprehensive solo exhibition of Francesca Woodman’s work in Germany in more than 25 years.

This exhibition examines the wide-ranging influence of Surrealism on design, fashion and photography over the last century, including work by Francesca Woodman.

Michael Glover looks in-depth at Francesca Woodman’s House #3, Providence, Rhode Island (1976) and reflects on her status as one of the 20th Century’s great surrealist artists.

Welcome to PLOTLINES, a series of features focused on ideas, themes and forms in the work of the Foundation’s three artists: Betty Woodman, Francesca Woodman and George Woodman.

Born on the 3rd of April, Francesca Woodman (1958 - 1981) was a prodigious talent, making her first mature photograph at the age of 13 and going on to create an ambitious body of work including intimately-scaled photographs, monumental diazotypes, artist books and videos.

Betty Woodman’s The Red Table (2014) is included in this exhibition of works from the museum’s collection which explore the significance of our domestic spaces.

A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.

Francesca Woodman’s photographs, which upend the conventions of self-portraiture and female representation are part of this survey of Surrealism from past to present, culled from the museum’s collection.