Francesca Woodman. "Self-Portrait at Thirteen," c. 1972, 6 3/4 x 6 11/16 in. (17.145 x 16.988 cm). Gelatin silver print © Woodman Family Foundation / DACS, London.
"Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In review – an intriguing double act" in "The Guardian," March 24
Read Sean O'Hagan's review of "Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In" at the National Portrait Gallery on "The Guardian."
Francesca Woodman. “Untitled,” c. 1977-78, 7 9/16 x 7 3/16 in. Gelatin silver print. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
"Francesca Woodman" featured in Goings On, "The New Yorker," April 5, 2024
Read Jackson Arn's review of "Francesca Woodman" at Gagosian in "The New Yorker."
Francesca Woodman. “Untitled,” c. 1979-80, 5 5/8 x 5 9/16 in. Gelatin silver print. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
"Francesca Woodman Was a Photographic Oracle of an Ancient World" in "Artnet," April 4, 2024
Read Katie White's review of "Francesca Woodman" at Gagosian on "Artnet."
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Francesca Woodman. "From Space²" or "Space²," from the "Space²" series, 1976, 5 ⅜ × 5 ⅜ inches (13.7 × 13.5 cm). Gelatin silver print. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Interview with Corey Keller by Putri Tan in "Gagosian Quarterly," Spring 2024
Read Putri Tan's interview with Corey Keller in "Gagosian Quarterly," Spring 2024.
Art Sense Podcast, Canvia
Art Sense Podcast, Canvia
"Art Sense" Podcast: "Francesca Woodman" hosted by Craig Gould
Listen to Lissa McClure (WFF Executive Director) and Craig Gould (host) talk about Francesca Woodman's prodigous work and WFF's mission.
Francesca Woodman. "Self-Deceit #1," from the "Self-Deceit" series, 1978, 3 9/16 x 3 9/16 in. Gelatin silver print. © Woodman Family Foundation/DACS, London
Francesca Woodman featured in "The Art Newspaper," March 13, 2024
Read Daniel Grant's article in "The Art Newspaper" on Francesca Woodman and her upcoming exhibitions at Gagosian and the National Portrait Gallery.
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Francesca Woodman. "Untitled," c. 1977-78, 4 1/2 x 4 7/16 in. Gelatin silver print. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
"Francesca Woodman" featured in "Galerie Magazine," March 20, 2024
Read Ted Loos' article on Francesca Woodman and her upcoming exhibitions at Gagosian and the National Portrait Gallery.
L to R: “Untitled,” from the “Angel” series, 1977, 3 1/4 x 3 1/4 in. Gelatin silver print. / O’Hagan, Sean. “Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In review – an intriguing double act.” “The Guardian,” 2024. / Quote from “Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In review – an intriguing double act” / “Self-Portrait at Thirteen,” c. 1972, 6 3/4 x 6 11/16 in. Gelatin silver print. All artworks by Francesca Woodman © Woodman Family Foundation / DACS, London.
Francesca Woodman. “Untitled,” from the “Angel” series, 1977, 3 1/4 x 3 1/4 in. Gelatin silver print. © Woodman Family Foundation / DACS, London.
"Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In" in "The Guardian," 2024
In this review on "The Guardian" of “Portraits to Dream In,” Sean O’Hagan underscores the “intriguing pairing” of Francesca Woodman and Julia Margaret Cameron by curator Magdalene Keaney at National Portrait Gallery.
L to R: Images 1-2: Lubow, Arthur. “Francesca Woodman’s Crowning Achievement, and Mystery.” “The New York Times,” 2024. / Quote from “Francesca Woodman’s Crowning Achievement, and Mystery.” / Installation view of “Francesca Woodman,” Gagosian Gallery, New York, 2024. / “Untitled,” c. 1977-78, 5 3/4 x 5 3/4 in. (14.605 x 14.605 cm). Gelatin silver print. / "Lightning” or “Lightning Legs,” 1976, 5 3/8 x 5 3/8 in. (13.653 x 13.653 cm). Gelatin silver print. All artworks by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Lubow, Arthur. “Francesca Woodman’s Crowning Achievement, and Mystery.” “The New York Times,” 2024.
Francesca Woodman in "The New York Times," March 2024
In today's "New York Times," critic Arthur Lubow sheds light on “Blueprint for a Temple (II)” (currently on view at Gagosian Gallery), a monumental diazotype collage discovered in summer 2022—41 years after the passing of Francesca Woodman.
Francesca Woodman. “Untitled,” Antella, Italy, c. 1977-78. 4 x 3 7/8 in. Gelatin silver print / Images 2-5: Installation views from “The Rose,” Lumber Room, Portland, OR, 2023. Courtesy the lumber room. Photo: Mario Galluci. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Francesca Woodman. “Untitled,” Antella, Italy, c. 1977-78. 4 x 3 7/8 in. Gelatin silver print.
NOW OPEN Francesca Woodman in "The Rose," Lumber Room, Portland, OR, July 29-October 28, 2023
Curated by Justine Kurland, this exhibition brings together 44 artists whose works resonate with Jay DeFeo’s cumulative use of materials, including Wangechi Mutu, Hannah Wilke, Moyra Davey, K8 Hardy, Joiri Minaya, Lee Bontecou, and Ruth Asawa, among others. Conceived by Kurland as an homage to DeFeo’s monumental sculptural painting “The Rose” (1958-66), the assembled works on view together from an exhibition as collage.
L to R: Betty Woodman. “Courtyard: Pontormo,” 2016. 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas / Images 2-3: Spreads from “Betty Woodman: New York/Florence.” Purple Magazine, Fall/Winter, 2017 / Betty Woodman. “Courtyard: Van Gogh,” 2016. 96 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas.
Betty Woodman. “Courtyard: Pontormo,” 2016. 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas.
Betty Woodman interview with Selva Barni, "Purple Magazine," Fall/Winter, 2017: READING ROOM
READING ROOM highlights past essays, reviews and interviews about Betty Woodman, Francesca Woodman, and George Woodman that provided new insights and lenses through which to understand their work. In this interview with Selva Barni, published in "Purple Magazine" in 2017, Betty Woodman talks about taking chances in her work and life, her relationship to feminism, her shift from potter to sculptor, and much more.
Spread from Francesca Woodman. "Portraits, Friends, Equations,” c. 1977-1978. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Spread from Francesca Woodman. "Portraits, Friends, Equations,” c. 1977-1978. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
"Francesca Woodman: The Artist's Books" review in "The Brooklyn Rail," 2023
Read Karen Chernick's review in "The Brooklyn Rail" on "Francesca Woodman: The Artist's Books" published by MACK.