L to R: “Betty Woodman: Conversations on the Shore, Works from the 1990s.” Designed by Laura Coombs. Published by David Kordansky Gallery, 2024. Images 1, 5-8 courtesy of AIGA.
“Betty Woodman: Conversations on the Shore, Works from the 1990s.” Designed by Laura Coombs. Published by David Kordansky Gallery, 2024. Image courtesy of AIGA.
“Betty Woodman: Conversations on the Shore, Works from the 1990s” selected for awards
Thrilled to announce that “Betty Woodman: Conversations on the Shore, Works from the 1990s”—the exhibition catalogue designed by Laura Coombs for Woodman’s 2022 solo show at David Kordansky Gallery—has been named a Winner of AIGA 50 Books | 50 Covers of 2024.
L to R: 1: “Still Life, Little Vase, Vivienne,” 2003, 23 3/4 x 19 3/4 in. | 2: “Dialogue of the Dresses” or “Antella Still Life,” 1999, 16 x 20 in. | 3: “Still Life with Picture of Eleanora,” 2009, 23 3/4 x 20 in. | 4: “Still Life with Rachel” or “Childhood Memories,” 1997, 20 x 16 in. | 5: “Vatican Mysteries,” 1996, 42 x 33 in. | 6: “Kitty and Rabbit on the Classical Past” or “Rococo Still Life,” 1993, 20 x 16 in. | 7: “Italian Still Life,” 2000, 24 x 30 in. | 8: “Saskia Disrobing in Still Life” or “Saskia and Fruit,” 2003, 20 x 24 in. All gelatin silver prints. All artworks by George Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York
George Woodman. “Still Life, Little Vase, Vivienne,” 2003, 23 3/4 x 19 3/4 in. Gelatin silver print © Woodman Family Foundation / SIAE, Rome
George Woodman's still life photography in "Flat time is the right time: Bodies, Places and Still Life from Pier Luigi Gibelli’s Collection," 2025
George Woodman’s still life photography bears unmistakable traces of his decades-long career as a painter: His compositions—re-photographed prints and negatives, fruits and drapery, sculptures and paintings collapsed into a single pictorial space—are at once witty and rich in art historical allusion.
L to R: 1: Francesca Woodman, “Untitled,” 1980, Gelatin silver print, 4 1/2 x 4 1/2 in. | 2: Gian Lorenzo Bernini, “Apollo and Daphne,” 1622–1625, Galleria Borghese, Rome | 3: Francesca Woodman, “Untitled,” 1980, Gelatin silver print, 3 15/16 x 4 in. | 4: Francesca Woodman, “Untitled,” 1980, Gelatin silver print, 10 5/8 x 13 1/2 in. | - 5: Alexander Pope’s sketch of the shield of Achilles. MS 4808 © The British Library | 6: Cy Twombly, “Fifty Days at Iliam: Shield of Achilles,” 1978 © Cy Twombly Foundation | 7: Cover of Parentheses of Reception. All Francesca Woodman artworks © Woodman Family Foundation / BILDKUNST, Bonn
Francesca Woodman, “Untitled,” 1980, Gelatin silver print, 4 1/2 x 4 1/2 in. (11.43 x 11.43 cm) © Woodman Family Foundation / BILDKUNST, Bonn
Brooke Holmes on Francesca Woodman in "Parentheses of Reception," 2025
Published in May 2025, the anthology "Parentheses of Reception" explores how the parenthesis, a rhetorical figure of speech and thought, can offer fresh insights into classical reception studies by conceptualizing Greco-Roman antiquity as being both “inserted into” and “remaining apart” from the present.
L to R: 1: “Untitled,” 1980, 5 5/8 x 5 9/16 in. Gelatin silver print | 2: “Untitled,” 1980, 4 15/16 x 4 15/16 in. Gelatin silver print | 3: “Untitled,” 1980, 36 1/2 x 92 in. Diazotype | 4: “Untitled,” 1979, 5 x 5 1/8 in. Gelatin silver print | 5: “Untitled,” 1979, 3 13/16 x 3 13/16 in. Gelatin silver print | 6: “Untitled,” 1980, 4 15/16 x 4 15/16 in. Gelatin silver print | 7: “I'm Trying My Hand at Fashion Photography,” 1977, 4 11/16 x 4 15/16 in. Gelatin silver print | 8: “Untitled,” c. 1979-80, 6 3/16 x 9 in. Gelatin silver print | 9: “Untitled,” c. 1979-80, 5 3/8 x 5 7/16 in. Gelatin silver print | 10: “Untitled,” c. 1979-80, 6 5/8 x 6 3/4 in. Gelatin silver print. All artworks by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York
Francesca Woodman. “Untitled,” 1980, 5 5/8 x 5 9/16 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
Alice Butler on Francesca Woodman in "Gestures: A Body of Work," 2025
In "Gestures: A Body of Work," first published this year, editors Alice Butler, Nell Osborne, and Hilary White compile a series of essays which explore embodied, affective, and political gesture in feminist art and writing. In her own contribution to the collection, Butler delves into the ways Woodman uses textiles in her photographs and their relationship to bodies and touch.
All works by Francesca Woodman © Woodman Family Foundation / DACS, London. L to R: "Untitled," c. 1977-78, 3 7/8 x 3 7/8 in. Gelatin silver print. / "Angels, Calendar Notebook," c. 1977-78, 8 3/4 x 7 in. Found notebook with gelatin silver prints. / "Untitled," c. 1977-78, 3 7/8 x 3 7/8 in. Gelatin silver print. / "Untitled," c. 1977-78, 4 9/16 x 4 11/16 in. Gelatin silver print. / "Some Disordered Interior Geometries," c. 1980-81, 9 x 6.5 in. Found notebook with gelatin silver prints. / Woodman, Francesca. "Francesca Woodman: The Artist's Books." MACK, 2023 © MACK
"Untitled," c. 1977-78, 3 7/8 x 3 7/8 in. Gelatin silver print. © Woodman Family Foundation / DACS, London.
“Francesca Woodman: The Artist’s Books” in London
Francesca Woodman’s eight unique artist books demonstrate the artist’s nuanced and sophisticated approach to narrative and sequencing. Don’t miss two opportunities in London to learn more about these remarkable works.
Cover of "Francesca Woodman: Alternate Stories," 2021. Cover image courtesy of Marian Goodman Gallery.
"Francesca Woodman: Alternate Stories" catalogue published by Marian Goodman Gallery
"Francesca Woodman: Alternate Stories" presents over forty photographs which focus on the varied thought processes, interests, and influences that inspired Woodman's work, many of which have never before been seen. The catalogue highlights previously unexplored relational contexts and includes a newly commissioned essay by critic and novelist Chris Kraus.
Cover of "Betty Woodman: Conversations on the Shore, Works from the 1990s," 2023. Image courtesy David Kordansky Gallery.
"Betty Woodman: Conversations on the Shore, Works from the 1990s" catalogue published by David Kordansky Gallery
Published in association with Woodman's 2022 exhibition at David Kordansky Gallery New York, this vibrant catalogue includes a new essay by Amy Sherlock, which, together with installation views and details of thirteen works from this formative period, enlarge an understanding of Woodman's process and practice.
Spread from Francesca Woodman. "Portraits, Friends, Equations,” c. 1977-1978. © Woodman Family Foundation / Artists Rights Society (ARS), New York. Image courtesy MACK.
REVIEW: "Francesca Woodman: The Artist's Books" in "The Brooklyn Rail," 2023
Read Karen Chernick's review in "The Brooklyn Rail" on "Francesca Woodman: The Artist's Books" published by MACK.
Cover of "Francesca Woodman: The Artist's Books,” MACK, London, UK, 2023. © Woodman Family Foundation / DACS, London; MACK.
Francesca Woodman: The Artist's Books with Collier Schorr, Justine Kurland, Moyra Davey, Drew Sawyer at Rizzoli Bookstore
Collier Schorr, Justine Kurland, and Moyra Davey are in conversation with Drew Sawyer to celebrate the launch of Francesca Woodman: The Artist's Books. This event was held at Rizzoli Bookstore on June 28, 2023, with an introduction by Lissa McClure of The Woodman Foundation.
L to R: Cover of "Francesca Woodman: The Artist's Books,” MACK, London, UK, 2023. © Woodman Family Foundation / DACS, London; MACK / Graphic Courtesy Rizzoli Bookstore.
Cover of "Francesca Woodman: The Artist's Books,” MACK, London, UK, 2023. © Woodman Family Foundation / DACS, London; MACK.
EVENT: “Francesca Woodman: The Artist’s Books,” June 28 at 6:45-8:30pm, Rizzoli Bookstore, New York
Please join us for a conversation on Francesca Woodman with Collier Schorr, Justine Kurland, Moyra Davey and Drew Sawyer to celebrate the launch of "Francesca Woodman: The Artist’s Books.”
L to R: Cover of "Francesca Woodman: The Artist's Books,” MACK, London, UK, 2023 / All artist’s books by Francesca Woodman. Covers and spreads from “Some Disordered Interior Geometries," 1980 / "Quaderno dei Dettati e dei Temi," 1978-1980 / “Quaderno," 1978 / "Untitled (Pilgrim Mills)," 1977-1978 / "Angels, Calendar, Notebook," 1977-1978 / "Portraits, Friends, Equations," 1977-1978 / "Untitled (Self-Deceit)," 1978 / "Portrait of a Reputation," 1976-1977. Image courtesy MACK. © Woodman Family Foundation / DACS, London.
Cover of "Francesca Woodman: The Artist's Books,” MACK, London, UK, 2023.
COMING JUNE 2023: "Francesca Woodman: The Artist's Books,” MACK, London, England, 2023
"Francesca Woodman: The Artist’s Books" collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never before been seen alongside better-known titles such as "Some Disordered Interior Geometries."
L to R: 1-6: Spreads from "Some Disordered Interior Geometries,” c. 1980-81. From original artist book, 24 pages + cover | "Almost a Square," 1977, 4 7/16 x 4 9/16 in. | "Angels," c. 1977-78, 3 13/16 x 3 3/4 in. | "Untitled," c. 1977-78, 4 9/16 x 4 11/16 in. | All gelatin silver prints. Artist's book images courtesy MACK. All works by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York
Francesca Woodman. Spread from "Some Disordered Interior Geometries,” c. 1980-81. Image courtesy MACK. Artwork © Woodman Family Foundation / Artists Rights Society (ARS), New York
"Some Disordered Interior Geometries," Rome, Italy: "Francesca Woodman: Alternate Stories," Marian Goodman Gallery, New York
Francesca Woodman was a frequent visitor to the Maldoror bookshop during the year she spent studying in Rome. In the hours she spent rooting through the stacks there, she began to collect old notebooks filled with elaborate handwriting exercises and objective mathematical lessons, all in Italian.