"Hard/Cover" looks at the interdisciplinary practice of three influential artists who participated in FWM's unique residency program, as well as five contemporary artists whose new works are equally informed by process and the intersection of ceramics and screen printing.

Katy Hessel of The Great Women Artists Podcast interviews Katarina Jerinic, the Woodman Family Foundation’s Collections Curator, on Francesca Woodman’s work and life. The two discuss photographs made in Providence, Italy and New York and Jerinic shares some of Woodman’s own words and ideas found in the Foundation's archives.

Osman Can Yerbekan looks back on 1984 Metropolis Magazine feature on Betty Woodman and George Woodman, linking the early influence of architecture on Betty’s ceramics to her legacy as a radical sculptor.

Betty Woodman in “Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection” at the Metropolitan Museum of Art through August 29, 2021.

LAST CHANCE to see Francesca Woodman in "The Body Electric" at the National Gallery of Australia!

Learn from our Executive Director, Lissa McClure, about ways the Foundation continues to support and steward the legacies of Betty Woodman, Francesca Woodman and George Woodman, while working from home.

LAST CHANCE to see "Francesca Woodman: New York Works" in Venice this week! On view through Saturday, December 12, 2020 at Victoria Miro Venice.

This exhibition centers on a rare series of color photographs that Francesca Woodman staged in her New York apartment in 1979.

The catalogue for "Pattern, Crime & Decoration"—a two-part exhibition at MAMCO, Geneva and Le Consortium, Dijon —focuses on the work of artists associated with the Pattern and Decoration movement in the US. It includes paintings by George Woodman and wall-based ceramic sculptures by Betty Woodman.

Betty Woodman's exhibition in the Matrix series at Wadsworth Atheneum in 1992 helped to define a context for her work in ceramics within the larger world of contemporary art, highlighting "that Woodman sees herself ‘dealing with painting as much as with sculpture.'"

Not long after Francesca Woodman arrived in Rome in 1977 on the RISD European Honors Program, she discovered the surrealist bookshop Maldoror, where she later had her first solo exhibition in Europe. She made unique, individual invitations to the show, each featuring one of her photographs attached to a postcard.

This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.