Not long after Francesca Woodman arrived in Rome in 1977 on the RISD European Honors Program, she discovered the surrealist bookshop Maldoror, where she later had her first solo exhibition in Europe. She made unique, individual invitations to the show, each featuring one of her photographs attached to a postcard.

Betty Woodman’s The Red Table (2014) is included in this exhibition of works from the museum’s collection which explore the significance of our domestic spaces.

This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.

A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.

LAST CHANCE to see Francesca Woodman: On Being an Angel in Berlin this week!

Betty Woodman is widely known for her seven-decade, groundbreaking engagement with clay, in particular her deconstruction and re-framing of the classical vase.

In honor of the holiday George held most dear, we share one of the many Valentines he made and sent to friends each year.

Beginning his career in the 1950s as an abstract painter, by the mid 1960s George Woodman turned his focus to geometric abstractions grounded in complex patterned systems and rigorous formal structures.

Today we celebrate what would have been Betty and George Woodman’s 67th wedding anniversary.

Happy Birthday to Betty! Celebrating and missing her indefatigable spirit, zest for life, and myriad talents.

Welcome to PLOTLINES, a series of features focused on ideas, themes and forms in the work of the Foundation’s three artists: Betty Woodman, Francesca Woodman and George Woodman.

Happy Birthday to George: artist and writer, classicist and modernist, lifelong explorer and thinker, maestro of color and grisaille.