In honor of the holiday George held most dear, we share one of the many Valentines he made and sent to friends each year.

Beginning his career in the 1950s as an abstract painter, by the mid 1960s George Woodman turned his focus to geometric abstractions grounded in complex patterned systems and rigorous formal structures.

Today we celebrate what would have been Betty and George Woodman’s 67th wedding anniversary.

Happy Birthday to Betty! Celebrating and missing her indefatigable spirit, zest for life, and myriad talents.

Welcome to PLOTLINES, a series of features focused on ideas, themes and forms in the work of the Foundation’s three artists: Betty Woodman, Francesca Woodman and George Woodman.

Happy Birthday to George: artist and writer, classicist and modernist, lifelong explorer and thinker, maestro of color and grisaille.

Born on the 3rd of April, Francesca Woodman (1958 - 1981) was a prodigious talent, making her first mature photograph at the age of 13 and going on to create an ambitious body of work including intimately-scaled photographs, monumental diazotypes, artist books and videos.

Photographs from Francesca Woodman’s House series alternately suggest entrapment or escape in this exhibition of works exploring the conventions and implications of interior spaces.

Michael Glover looks in-depth at Francesca Woodman’s House #3, Providence, Rhode Island (1976) and reflects on her status as one of the 20th Century’s great surrealist artists.

Photographs by Francesca Woodman explore tropes of femininity in this exhibition of photography and videos centered on sex, love and desire.

Betty Woodman’s The Red Table (2014) is included in this exhibition of works from the museum’s collection which explore the significance of our domestic spaces.

C/O Berlin presents the first comprehensive solo exhibition of Francesca Woodman’s work in Germany in more than 25 years.