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L to R: Entrance to the Woodman family’s farmhouse adorned with a Pillow Pitcher by Betty atop a wall of George’s “sgraffito,” 2017 / View of the olive groves from Betty’s studio, 2004 / Betty cutting well-tended roses growing against the wall next to her studio, 2008 / Betty making flower arrangements with roses, dahlias and gerbera daisies from her garden, 2006 / Betty putting fresh flowers in a group of her “Vase and Stand” works, 1984 / Betty, a young family friend, and Francesca, c. late 1960s / Table set for dinner, 2016, photo by Brigid McCaffrey / Generous bowls and baskets full of figs, plums, peaches, grapes, and tomatoes, 2016 / Betty, Charlie and Francesca cooking together, c. early 1970s / George at his studio door, 2006 / A view out from the same door, 2008 / Francesca and Betty holding their bunnies, c. 1968 / Charlie on his motorino, c. late 1960s / Betty and friend with Betty’s triptych “June in Italy” (2001), c. 2001 / George with his sculpture, c. early 1970s / he Woodman family’s patio with potted geraniums and the olive grove in view, c. 1990s / Morning glories climbing George’s “sgrafitto” wall, c. 1990s.
L to R: Entrance to the Woodman family’s farmhouse adorned with a Pillow Pitcher by Betty atop a wall of George’s “sgraffito,” 2017 / George with his sculpture, c. early 1970s / Betty, Charlie and Francesca cooking together, c. early 1970s / Betty cutting well-tended roses growing against the wall next to her studio, 2008.
AUGUST IN ANTELLA

Beginning in the summer of 1968, the Woodman Family spent every summer at their stone farmhouse in Antella, Italy, just outside of Florence. As children, Charlie and Francesca joined their parents and later visited on their own, soaking in Italian culture and influences. Betty and George made some of their most important artistic breakthroughs there—a place George once described as "an artist residency for two.” All summer long, their garden produced abundant food and flowers—the tomatoes were particularly good in August, happily shared with frequent visitors.

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The Woodman family explores Italy, circa 1959-60 and 1965-66: From the Archives...

The Woodman family’s lifelong love of Italy began in 1951 with Betty’s yearlong apprenticeship in Fiesole. After marrying in 1953, Betty and George took their young children, Charles and Francesca, for extended stays in 1959-60 and again in 1965-66.

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The Abrahams Family New Year card, circa 1946-1950. From left to right: Betty, Minnie, Henry and Dot Abrahams.
The Abrahams Family New Year card, circa 1946-1950. From left to right: Betty, Minnie, Henry and Dot Abrahams.
Happy New Year from Henry, Minnie, Dot and Betty Abrahams: From the Archives…

Betty Abrahams Woodman was raised with her sister in Newton, Massachusetts by their “liberal, anti-religious and culturally ambitious” parents who fostered in their daughters the importance of responsibility and self-determination. This New Year’s card from the late 40s - early 50s reveals a young Betty with her family.

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Betty Woodman’s permanent installation Chinese Pleasure at the United States Embassy in Beijing, China, 2007-2008: From the Archives…

Betty Woodman’s Chinese Pleasure (2007-2008) was commissioned by the U.S. Department of State Art in Embassies Program for the United States Embassy in Beijing. Woodman was inspired by and freely borrowed from visual influences all over the world and throughout art history, here incorporating three distinct moments in the history of Chinese art, ranging from Sichuan bronzes to popular culture into this dramatic installation.

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Images from L to R: The Woodman family at home in Boulder, Colorado, circa 1963 / Sirotkin House, designed by Tician Papachristou, 1959, Boulder, Colorado, courtesy M. Gerwing Architects / Images 3-7: Interior and exterior views of the Woodman family home in the Sirotkin House, circa 1960s / Baskets in Betty’s studio before one of her twice-yearly sales.
The Woodman family at home in Boulder, Colorado, circa 1963.
The Woodmans in Boulder, Colorado, 1960s: From the Archives…

In 1960, after returning to Boulder, Colorado, from their first year together in Italy, the Woodman family moved into the Sirotkin House. One of more than a dozen modernist homes in Boulder by architect Tician Papachristou, the house was designed for the original owner as a pair with the house next door.

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The Woodmans in Italy, 1960s: From the Archives…

Beginning in 1965, Betty, George, Charlie and Francesca Woodman spent an influential year together as a family in Italy, immersed in museums, art, and culture. Their affinity for Florence took root, leading to the acquisition of a farmhouse in Antella several years later that has served as a family and creative nucleus ever since.

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