From the Archives

October is American Archives Month and we are celebrating by looking at some of the tools of the trade used by George Woodman and Betty Woodman in our collection.

Sixty years ago, before they had traveled much of the world together, the Woodman family visited the 1964-1965 New York World’s Fair in Flushing Meadows-Corona Park.

Happy 71st anniversary to Betty Woodman and George Woodman, who were married on this day in 1953.

As the solstice today marks the official beginning of summer, we are reminded of the Woodmans’ extensive travels around the world and their months immersed in global artistic influences.

Happy birthday to Betty Woodman—a garden enthusiast and artist who ingeniously experimented with her lifelong muse, the vase, and its multitude of sculptural possibilities.

Happy birthday to George Woodman—lover of color, pattern, and setting the stage—who was born on this day in 1932 in Concord, New Hampshire.

Around 1952, a young George Woodman in Cambridge, Massachusetts, penned his devotion on a USPS customs form: “Little box with littler box inside” and “1 engagement ring of Navajo silver with turquoises.” The precious 4-ounce package was destined for the hands of Elizabeth Abrahams (later to be known as Betty Woodman) across the ocean in Fiesole, Italy, where she had been living and working for the past year.

Betty Woodman’s numerous glazes, paints, and the varied configurations of brushes—sometimes mixed or assembled by the artist herself to achieve desired color swatches, brushy marks, and parallel stripes—reflect her continuously innovative work with ceramic forms.

Over the course of a year from 1965-66, the Woodman family lived and worked in Italy, just outside of Florence. During that time, Betty and George became close friends with the artists and then-couple Nancy Graves and Richard Serra, who, like Betty, was there for the year on a Fulbright-Hays scholarship. They spent many hours together around the table, sharing meals, funny hats and conversations about art.

Beginning in the summer of 1968, the Woodman Family spent every summer at their stone farmhouse in Antella, Italy, just outside of Florence. As children, Charlie and Francesca joined their parents and later visited on their own, soaking in Italian culture and influences. Betty and George made some of their most important artistic breakthroughs there—a place George once described as "an artist residency for two.” All summer long, their garden produced abundant food and flowers—the tomatoes were particularly good in August, happily shared with frequent visitors.