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L to R: 1: Francesca Woodman. “Untitled”, c. 1977-78. Gelatin silver print. 5 11/16 x 5 13/16 in. / 2: Francesca Woodman. “Untitled”, 1979, Chromogenic print. 3 3/8 x 3 1/2 in. / 4: Francesca Woodman. “Untitled”, 1979, Chromogenic print. 3 3/8 x 3 1/2 in. / 6: Francesca Woodman. “House #4”, 1976, from the "House" series. Gelatin silver print. 5 11/16 x 5 3/4 in. / 9: Francesca Woodman. “Untitled”, 1979. Chromogenic print. 3 5/16 x 3 1/2 in. / 3, 5, 7, 8, 10: Gordon Matta-Clark. “Bingo”, 1974. Building fragments: painted wood, metal, plaster, and glass, three sections. All photographs taken at The Museum of Modern Art, New York, 2024 / All Francesca Woodman artworks © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Francesca Woodman. “Untitled”, c. 1977-78. Gelatin silver print. 5 11/16 x 5 13/16 in. © Woodman Family Foundation / Artists Rights Society (ARS), New York
Rehan Miscki, The Woodman Family Foundation's Digital Imaging and Photography Manager: STAFF PICKS

Hello, this is Rehan Miskci. I recently joined The Woodman Foundation as their Digital Imaging and Photography Manager. I’m lucky to be involved with Francesca, Betty and George Woodman’s works on a daily basis and oversee any image-based needs.

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L to R: Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 7 1/8 x 9 3/16 in. / Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 6 13/16 x 9 3/8 in. / George Woodman. “Psyche, Amor and Sara,” 2010. Oil on gelatin silver print. 163 x 226 in. / George Woodman. “Five Cases of Classicism,” 2011. Gelatin silver print. 23 x 35 3/4 in © Woodman Family Foundation / Artists Rights Society (ARS), New York
Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 7 1/8 x 9 3/16 in © Woodman Family Foundation / Artists Rights Society (ARS), New York
Mallory O'Donoghue, The Woodman Family Foundation's Collections Researcher: STAFF PICKS

As the Woodman Family Foundation’s Collections Researcher, I spend a good amount of my working hours digging around libraries and special collections scattered throughout New York City. I believe the artists of the Woodman Family Foundation were equally as inspired by this bustling and beautiful metropolis as I am.

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L to R: “July 1, 2016,” 2016, India ink, 16 ½ x 11 ¾ in. Acrylic paint on sketch paper. / “Karen’s Room,” 2015, 63 x 36 ¼ x 8 ¾ in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood. / “Nov 19, 2016,” 2016, 16 ½ x 23 ¼ in. India ink, acrylic paint on sketch paper. / “July Table and Grey Carpet,” 2016, 63 x 94 ½ x 11 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood. / “March 9, 2015,” 2015, 14 ¾ x 17 in. India ink, acrylic paint on sketch paper. / “The Dining Room #2,” 2014, 60 x 83 ½ x 10 ½ in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood. All works by Betty Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Betty Woodman. “July 1, 2016,” 2016, India ink, 16 ½ x 11 ¾ in. Acrylic paint on sketch paper. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Jennifer DiCocco, The Woodman Family Foundation's Registrar: STAFF PICKS

As the Foundation’s registrar, I have the privilege of managing Betty, George, and Francesca Woodman’s artwork inventories. Though impossible to select a favorite object from such a prolific inventory, one of my favorite groups of works are Betty’s paintings on sketch paper.

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L to R: “Untitled,” c. 1975-78, 7 3/8 x 7 3/8 in. / “Untitled,” 1978, 35 1/4 x 33 in. / “Untitled,” 1976, 5 7/8 x 5 7/8 in. / "Self-portrait Talking to Vince," 1977, 5 3/16 x 5 1/16 in. / "Untitled," 1976, 5 1/2 x 5 5/8 in. / “Space²,” from the “Space²” series, 1976, 5 1/14 x 5 in. / "Sloan," 1976, 5 15/16 x 5 7/8 in. All gelatin silver prints. All works by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Francesca Woodman. “Untitled,” c. 1975-78, 7 3/8 x 7 3/8 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Micaela Walker, The Woodman Family Foundation's Archivist: STAFF PICKS

Becoming the archivist at the Woodman Family Foundation sometimes feels oddly inevitable to me. I was introduced to Francesca Woodman’s images as a photography major at RISD twenty years after her time there and remember being both besotted with and intimidated by her work.

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George Woodman, "Loie Wearing an 18th Century Sculpture," 2012: STAFF PICKS

Hello! I’m Layaan Roufai, the Woodman Family Foundation’s Library and Archives Intern. As I perused the many publications filled with works by the Woodmans, I found myself particularly interested in the art of George Woodman.

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Betty Woodman, "On the Way to Mexico," 2012 and "Rococco Vase," 1978: STAFF PICKS

Eliza Guzman, our intern through the Studio Institute’s Summer Arts Intern program: As the Cataloguing and Library Intern at the Woodman Family Foundation this summer, I have had the opportunity to peruse various publications showcasing the exceptional artworks by the Woodman family. Betty Woodman’s artistry, in particular, caught my attention. Her ceramic pieces have undergone a significant transformation throughout her career, illustrating her versatility across several artistic styles.

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Francesca Woodman, "Small sketch for a piece about bridges and tiaras," January, 1980: STAFF PICKS

Over many years I’ve had the privilege of being first the curator of Francesca Woodman’s estate and now in my current role with the Woodman Family Foundation, I’ve had an equal number of “favorite” works by the artist. It’s a real challenge to choose just one! “Small sketch for a piece about bridges and tiaras” for me exemplifies the wit, keen observation, and inventiveness characteristic of Francesca Woodman’s photographs and points to her larger concerns as an artist.

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Summer with the Woodman family, 1959-1964: STAFF PICKS

Emma Horning is a Library and Information Science graduate student at University of Wisconsin Milwaukee. As the Foundation’s Archives Intern, she has been digitizing photographic slides and prints in the collection and building a database to manage these archival materials: Summer brings us bountiful sun-drenched days. As a family, the Woodmans spent the summer months soaking in the potential the season brings.

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George Woodman's screenprints, c. 1960s-70s: STAFF PICKS

Lissa McClure, The Woodman Family Foundation’s Executive Director: When I began at the Foundation three years ago, after knowing Betty and George for over a decade, I thought I knew most of the work each of the Woodmans had made. I soon realized how wrong I was! One of the biggest surprises, and a pure delight, was encountering George Woodman’s early prints from the ‘60s and ‘70s.

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L to R: All artworks by Betty Woodman. “Ladies Engaged in Unnecessary Activities,” 2017. 36 x 180 x 72 in / “Jules & Jim,” 2016. 9 x 36 x 15 in. All glazed earthenware, epoxy resin, lacquer, paint, fabric.
Betty Woodman. “Ladies Engaged in Unnecessary Activities,” 2017. 36 x 180 x 72 in. Glazed earthenware, epoxy resin, lacquer, paint, fabric.
Betty Woodman, "Fabric Girls," 2002-2017: STAFF PICKS

Hafsa Habib, The Woodman Family Foundation’s Archive & Library Intern through the Studio Institute’s Summer Arts Intern program: When I came across Betty Woodman's "Fabric Girls" series, I immediately was drawn to the colorful sculptures that were each meticulously adorned in fabric. The dynamic poses of the figures give them each a life of their own.

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Betty Woodman, "Wallpaper 16," 2017: STAFF PICKS

Ryan Brady, Collections Manager: Betty Woodman was an artist whose pragmatism seemingly stood in contrast to the loose comfort of her artistic style, but those of us who knew her well understood this sensibility as an asset to her prolific output. She kept things. Her Wallpaper pieces, which I had the privilege of closely working with her on during my time as her studio assistant from 2011 until her passing in 2018, resulted from her instinct to put all her materials to use.

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L to R: Francesca Woodman. “Untitled,” Providence, Rhode Island, 1976. 5 1/4 x 5 3/16 in. Gelatin silver print. © Woodman Family Foundation / Artists Rights Society (ARS), New York / Claude Cahun. “Self-Portrait (in a cupboard),” 1932. Gelatin silver print. © Estate of Claude Cahun / Kirsten Justesen. “Portræt i arkiv med samling (Portrait in cabinet with collection),” 2013. 58 1/4 x 39 1/2 x 1 in. Chromogenic print mounted on Dibond with matte acrylic. © Kirsten Justesen.
Francesca Woodman. “Untitled,” Providence, Rhode Island, 1976. 5 1/4 x 5 3/16 in. Gelatin silver print.
Francesca Woodman, "Untitled," Providence, Rhode Island, 1976: STAFF PICKS

Hi, Celia Lê here! I am the Woodman Family Foundation’s Research Intern and my main responsibility is exhibition and provenance research for Francesca Woodman. Personally, I love how Francesca often investigates the relationship between the body and space, from the various textures created by the wall to the extension of her legs outside of the cupboard in this work.

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