Betty Woodman. “Portuguese Baroque,” 2013, 18 1/4 x 25 x 8 1/2 in. Glazed earthenware, epoxy resin, lacquer, paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Women's Work," Lyndhurst Mansion, Tarrytown, New York, 2022
Betty Woodman in “Women’s Work,” Lyndhurst Mansion, Tarrytown, New York. On view through September 26, 2022.
Betty Woodman. Installation view and details, "Alessandro’s Rooms," 2011. 102.5 x 354.5 x 15.75 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas © Woodman Family Foundation / Artists Rights Society (ARS), New York
Betty Woodman. "Alessandro’s Rooms," 2011. 102.5 x 354.5 x 15.75 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "The Flames: The Age of Ceramics" at Musee d'Art Moderne de Paris, Paris, France, 2021
"The Flames" takes a transhistorical approach to ceramics to assert the critical relationship of clay to both art and humankind. The exhibition combines ancient objects dating back to the Neolithic with those made by contemporary artists—including Betty Woodman—and everything in between.
Envelope for letter from George Woodman in Boulder, Colorado to Francesca Woodman in Rome, Italy, October 19, 1977. Woodman Family Foundation Archives.
Betty Woodman, Francesca Woodman, and George Woodman in “Interior Scroll or What I Did on My Vacation” at S&S Corner Shop, The Art Building, Springs, New York, 2021
We are pleased to announce that this exhibition includes a selection of correspondence written between Betty, Francesca and George Woodman in 1978, as well as Francesca Woodman’s “Selected Video Works,” 1976-1978.
Betty Woodman. “Shelf and Vase: Zante,” 1985. 31 x 21 x 9 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
Betty Woodman in “With Pleasure: Pattern and Decoration in American Art 1972-1985” at Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, 2021
This ambitious exhibition, curated by Anna Katz, brings together American artists, including Betty Woodman, associated with the Pattern and Decoration movement in the first such comprehensive and scholarly survey. The exhibition showcases painting, sculpture, collage, ceramics, installation and performance which embraced craft-based and decorative traditions and approached art-making from a sometimes dizzying appreciation of historic sources and feminist aesthetics.
Betty Woodman. "Window," 1980. Pigment, thread, velcro on cotton, canvas, sateen, and earthenware. 62 x 75 in. Collection of The Fabric Workshop and Museum. Photo: Phillip Unetic
Betty Woodman, "Window," 1980. Collection of The Fabric Workshop and Museum. Photo: Phillip Unetic © Woodman Family Foundation / Artists Rights Society (ARS), New York
Betty Woodman in "Hard/Cover" at Fabric Workshop and Museum, Philadelphia, Pennsylvania, 2021
"Hard/Cover" looks at the interdisciplinary practice of three influential artists who participated in FWM's unique residency program, as well as five contemporary artists whose new works are equally informed by process and the intersection of ceramics and screen printing.
Betty Woodman. "Pillow Pitcher: Sea of Japan," 1985. 17 x 24 1/2 x 18 inches. Glazed earthenware. Robert A. Ellison Jr. Collection | "Shapes From Out of Nowhere: Towards Abstraction in Clay 1890-2018: The Robert A. Ellison Junior Collection" exhibition catalogue. Published by August Editions, January 5, 2021.
Betty Woodman. "Pillow Pitcher: Sea of Japan," 1985. 17 x 24 1/2 x 18 inches. Glazed earthenware. Robert A. Ellison Jr. Collection © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection," The Metropolitan Museum of Art, New York, New York, 2021
Betty Woodman in “Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection” at the Metropolitan Museum of Art through August 29, 2021.
Cover and pages from Pattern, Crime & Decoration catalogue, edited by Franck Gautherot and Seungduk Kim, MAMCO, Geneva, Le Consortium, Dijon, 2020.
"Pattern, Crime & Decoration" catalogue, edited by Franck Gautherot and Seungduk Kim, MAMCO, Geneva, Le Consortium, Dijon, 2020.
George Woodman and Betty Woodman featured in newly released "Pattern, Crime & Decoration" exhibition catalogue
The catalogue for "Pattern, Crime & Decoration"—a two-part exhibition at MAMCO, Geneva and Le Consortium, Dijon —focuses on the work of artists associated with the Pattern and Decoration movement in the US. It includes paintings by George Woodman and wall-based ceramic sculptures by Betty Woodman.
Betty Woodman. "Joined Vases," 1972, 11 1/2 x 23 x 10 in. Porcelain © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Making Knowing: Craft in Art, 1950-2019" at Whitney Museum of American Art, New York, New York, 2020
This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.
All artworks by Betty Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York
PLOTLINE 3: BETTY WOODMAN / Alluding to Architecture
Betty Woodman is widely known for her seven-decade, groundbreaking engagement with clay, in particular her deconstruction and re-framing of the classical vase.
Betty Woodman. "The Red Table," 2014, 67 1/2 x 86 1/2 x 14 1/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood © Woodman Family Foundation / Artists Rights Society (ARS), New York
Detail from Betty Woodman. "The Red Table," 2014, 67 1/2 x 86 1/2 x 14 1/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "For a Dreamer of Houses" at Dallas Museum of Art, Dallas, Texas, 2020
Betty Woodman’s "The Red Table" (2014) is included in this exhibition of works from the museum’s collection which explore the significance of our domestic spaces.
Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
Detail from Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Less is A Bore: Maximalist Art & Design" at ICA Boston, Boston, Massachusetts, 2019
Ceramic and mixed-media installations spanning Betty Woodman’s career are featured in this exuberant exhibition of works tracing the legacy of Pattern and Decoration.
Betty Woodman. "Grey Stripe Diptych," 2016, 29 x 30 3/4 x 5 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "She Persists: A Century of Women Artists in New York" at Gracie Mansion, New York, New York, 2019
Betty Woodman takes her place alongside her peers—both past in present—in this lively exhibition of works by New York-based women artists.

















