Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, from the "A Woman is a Mirror for a Man" series, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / VEGAP, Spain
Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / VEGAP, Spain
ON VIEW: Francesca Woodman in "Objects of Desire: Surrealism and Design 1924-Today" at CaixaForum, Barcelona, Spain, 2020
This exhibition examines the wide-ranging influence of Surrealism on design, fashion and photography over the last century, including work by Francesca Woodman.
Francesca Woodman. "Untitled," c. 1972-75, 5 11/16 x 8 1/8 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Francesca Woodman in "Bodyscapes" at The Israel Museum, Jerusalem, Israel, 2020
A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.
Francesca Woodman. "Self-Portrait Talking to Vince," c. 1976-77, 5 3/16 x 5 1/16 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Francesca Woodman in "Photography and the Surreal Imagination" at The Menil Collection, Houston, Texas, 2020
Francesca Woodman’s photographs, which upend the conventions of self-portraiture and female representation are part of this survey of Surrealism from past to present, culled from the museum’s collection.
Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
Detail from Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Less is A Bore: Maximalist Art & Design" at ICA Boston, Boston, Massachusetts, 2019
Ceramic and mixed-media installations spanning Betty Woodman’s career are featured in this exuberant exhibition of works tracing the legacy of Pattern and Decoration.
George Woodman. "Untitled," 1974, 59 1/8 x 59 1/8 in. Acrylic on canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: George Woodman in "Les Chemins du Sud" at Musée régional d'art contemporain, Sérignan, France, 2019
George Woodman’s pattern paintings, which combine formal rigor with an approach to color influenced by his years in Italy, are featured in this exhibition of works focused on a decorative approach to art.
George Woodman. "Grey Portal," 1978, 84 x 84 in. Acrylic on canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: George Woodman in "Pattern, Crime & Decoration" at Le Consortium Museum, Dijon, France
Paintings by George Woodman reflect his embrace of color and beauty along with a minimalist take on pattern in this exhibition of works which celebrate decorative and non-Western approaches to art.
Betty Woodman. "Grey Stripe Diptych," 2016, 29 x 30 3/4 x 5 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "She Persists: A Century of Women Artists in New York" at Gracie Mansion, New York, New York, 2019
Betty Woodman takes her place alongside her peers—both past in present—in this lively exhibition of works by New York-based women artists.
Betty Woodman. "Courtyard: Pontormo," 2016, 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Les Chemins du Sud" at Musée régional d'art contemporain, Sérignan, France, 2019
Bronze benches and complex canvas and ceramic paintings by Betty Woodman are included in this exhibition of works focused on a decorative approach to art.
Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
Detail from Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Terra sigillata, canvas, glazed earthenware, epoxy resin, lacquer, wood. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Pattern, Crime & Decoration" at Le Consortium Museum, Dijon, France, 2019
This exhibition—and the canvas and ceramic painting by Betty Woodman included within it—reflects on the enduring influence of the Pattern and Decoration movement.
Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, from the "A Woman is a Mirror for a Man" series, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / BILDKUNST, Bonn
Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / BILDKUNST, Bonn
ON VIEW: Francesca Woodman in "Objects of Desire: Surrealism and Photography 1924-Today" at Vitra Design Museum, Weil am Rhein, Germany, 2019
This exhibition examines the wide-ranging influence of Surrealism on design, fashion and photography over the last century, including work by Francesca Woodman.
Betty Woodman. "Still Life Vase: 11," 1990, 35 x 30 1/4 x 9 5/8 in. Glazed earthenware, epoxy resin, lacquer, and paint © Woodman Family Foundation / ARS, New York
ON VIEW: Betty Woodman in "Making Knowing: Craft in Art, 1950-2019" at Whitney Museum of American Art, New York, New York, 2019
This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.
Francesca Woodman. "Untitled," c. 1978-79, 9 3/8 x 6 1/4 in. Gelatin silver print © Woodman Family Foundation / ARS, New York
ON VIEW: Francesca Woodman in "Artistic License: Six Takes on the Guggenheim Collection" at Solomon R. Guggenheim Museum, New York, New York, 2019
Artist Paul Chan includes a photograph by Francesca Woodman in his re-mix of works from the museum’s collection.