Exhibition

A group of photographs by Francesca Woodman are included in this expansive exhibition concerning the human body, nature and culture.

Francesca Woodman’s photographs, which upend the conventions of self-portraiture and female representation are part of this survey of Surrealism from past to present, culled from the museum’s collection.

Ceramic and mixed-media installations spanning Betty Woodman’s career are featured in this exuberant exhibition of works tracing the legacy of Pattern and Decoration.

George Woodman’s pattern paintings, which combine formal rigor with an approach to color influenced by his years in Italy, are featured in this exhibition of works focused on a decorative approach to art.

Paintings by George Woodman reflect his embrace of color and beauty along with a minimalist take on pattern in this exhibition of works which celebrate decorative and non-Western approaches to art.

Betty Woodman takes her place alongside her peers—both past in present—in this lively exhibition of works by New York-based women artists.

Bronze benches and complex canvas and ceramic paintings by Betty Woodman are included in this exhibition of works focused on a decorative approach to art.

This exhibition—and the canvas and ceramic painting by Betty Woodman included within it—reflects on the enduring influence of the Pattern and Decoration movement.

This exhibition examines the wide-ranging influence of Surrealism on design, fashion and photography over the last century, including work by Francesca Woodman.

This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.

Artist Paul Chan includes a photograph by Francesca Woodman in his re-mix of works from the museum’s collection.

Photographs and diazotypes by Francesca Woodman are shown alongside works by Dürer, Rodin, Christo & Jeanne Claude, Degas and others, attesting to enduring fascination with drapery among artists from the Renaissance to the present.