George Woodman. "Grey Portal," 1978, 84 x 84 in. Acrylic on canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: George Woodman in "Pattern, Crime & Decoration" at Le Consortium Museum, Dijon, France
Paintings by George Woodman reflect his embrace of color and beauty along with a minimalist take on pattern in this exhibition of works which celebrate decorative and non-Western approaches to art.
Betty Woodman. "Grey Stripe Diptych," 2016, 29 x 30 3/4 x 5 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "She Persists: A Century of Women Artists in New York" at Gracie Mansion, New York, New York, 2019
Betty Woodman takes her place alongside her peers—both past in present—in this lively exhibition of works by New York-based women artists.
Betty Woodman. "Courtyard: Pontormo," 2016, 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Les Chemins du Sud" at Musée régional d'art contemporain, Sérignan, France, 2019
Bronze benches and complex canvas and ceramic paintings by Betty Woodman are included in this exhibition of works focused on a decorative approach to art.
Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
Detail from Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Terra sigillata, canvas, glazed earthenware, epoxy resin, lacquer, wood. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Pattern, Crime & Decoration" at Le Consortium Museum, Dijon, France, 2019
This exhibition—and the canvas and ceramic painting by Betty Woodman included within it—reflects on the enduring influence of the Pattern and Decoration movement.
Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, from the "A Woman is a Mirror for a Man" series, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / BILDKUNST, Bonn
Francesca Woodman. "A Woman; A Mirror; A Woman is a Mirror for a Man 4" or "A Woman is a Mirror for a Man #4," 1976, 5 3/4 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / BILDKUNST, Bonn
ON VIEW: Francesca Woodman in "Objects of Desire: Surrealism and Photography 1924-Today" at Vitra Design Museum, Weil am Rhein, Germany, 2019
This exhibition examines the wide-ranging influence of Surrealism on design, fashion and photography over the last century, including work by Francesca Woodman.
Betty Woodman. "Still Life Vase: 11," 1990, 35 x 30 1/4 x 9 5/8 in. Glazed earthenware, epoxy resin, lacquer, and paint © Woodman Family Foundation / ARS, New York
ON VIEW: Betty Woodman in "Making Knowing: Craft in Art, 1950-2019" at Whitney Museum of American Art, New York, New York, 2019
This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.
Francesca Woodman. "Untitled," c. 1978-79, 9 3/8 x 6 1/4 in. Gelatin silver print © Woodman Family Foundation / ARS, New York
ON VIEW: Francesca Woodman in "Artistic License: Six Takes on the Guggenheim Collection" at Solomon R. Guggenheim Museum, New York, New York, 2019
Artist Paul Chan includes a photograph by Francesca Woodman in his re-mix of works from the museum’s collection.
Francesca Woodman. "Untitled," c. 1977-78, 3 5/16 x 3 5/16 in. Gelatin silver print © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Francesca Woodman in "Le Drapé: Degas, Christo, Michel-Ange, Rodin, Man Ray, Dürer..." at Musée des Beaux-Arts de Lyon, Lyon, France 2020
Photographs and diazotypes by Francesca Woodman are shown alongside works by Dürer, Rodin, Christo & Jeanne-Claude, Degas and others, attesting to enduring fascination with drapery among artists from the Renaissance to the present.
Francesca Woodman. "Untitled," c. 1977-78, 3 11/16 x 3 11/16 in. Gelatin silver print © Woodman Family Foundation / DACS, London
ON VIEW: Francesca Woodman in "The Enchanted Interior" at Laing Art Gallery, Newcastle upon Tyne, England, 2019
Photographs from Francesca Woodman’s House series alternately suggest entrapment or escape in this exhibition of works exploring the conventions and implications of interior spaces.
Francesca Woodman. "Self-Deceit #1," 1978, from the "Self-Deceit" series, 3 1/2 x 3 7/16 in. Gelatin silver print © Woodman Family Foundation / VEGAP, Madrid
ON VIEW: "Francesca Woodman: On Being An Angel" at Fundación Canal, Madrid, Spain, 2020
This first institutional solo exhibition in Spain in more than a decade includes Francesca Woodman’s photographs, videos and diazotypes, ranging from her most iconic to those rarely seen before.
Francesca Woodman. "Untitled," c. 1972-75, 6 x 5 5/8 in. Gelatin silver print © Woodman Family Foundation / ARS, New York
ON VIEW: "Francesca Woodman: Portrait of A Reputation" at MCA Denver, Denver, Colorado, 2019
This exhibition of photographs and ephemera from the collection of classmate George Lange offers a nuanced and personal view of Francesca Woodman’s formative years at the Rhode Island School of Design.
Betty Woodman. "Shelf and Vase: Trophy Wall Vase," c. 1983-84, 30 x 18 1/2 x 6 3/4 in. Glazed earthenware © Woodman Family Foundation / ARS, New York
ON VIEW: Betty Woodman in "With Pleasure: Pattern and Decoration in American Art 1972-1985" at Museum of Contemporary Art, Los Angeles, California, 2020
Betty Woodman’s breakthrough wall-based sculptures from the late 1970s and early 1980s are included in this scholarly and comprehensive survey of artists associated with the Pattern and Decoration movement in the U.S.


















