Betty Woodman and George Woodman

Happy 71st anniversary to Betty Woodman and George Woodman, who were married on this day in 1953.

As the solstice today marks the official beginning of summer, we are reminded of the Woodmans’ extensive travels around the world and their months immersed in global artistic influences.

Around 1952, a young George Woodman in Cambridge, Massachusetts, penned his devotion on a USPS customs form: “Little box with littler box inside” and “1 engagement ring of Navajo silver with turquoises.” The precious 4-ounce package was destined for the hands of Elizabeth Abrahams (later to be known as Betty Woodman) across the ocean in Fiesole, Italy, where she had been living and working for the past year.

Last chance to see this unique exhibition, the first two-person presentation of Betty Woodman’s and George Woodman’s work in the UK. Focused on the couple's prolific time at their farmhouse in Antella, Italy—where they lived and worked for part of each year for nearly fifty years—the exhibition explores the artists’ mutual influences and their shared life immersed in art, culture, travel and experimentation, reflected in kindred palettes and patterns. Catch a glimpse of their Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

Read Halima Jibril's piece on "Betty Woodman and George Woodman." On view now through September 10, 2023 at Charleston, East Sussex, UK.

Video vignettes by Charleston that highlight artworks by Betty Woodman and George Woodman included in the exhibition Betty Woodman and George Woodman. On view through September 10, 2023.

Catch a glimpse of Betty and George Woodman's Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

Fragmented frescos glimpsed in Italian churches and Roman ruins, geometry noticed in Cosmati floor mosaics, and patterns seen on tile walls in Spain, Turkey, Morocco, Mexico and Portugal provided decades-worth of ideas for both artists, realized on the floor and on the wall.

Lissa McClure, the Foundation's Executive Director, and Emily Hill, Acting Head of Exhibitions at Charleston, talk about the exhibition "Betty Woodman and George Woodman" on "In Talks With" podcast with journalist Danielle Radojcin.

In the 1980s, George Woodman’s rigorous pattern paintings based in geometric abstraction began to incorporate more representational motifs, including figures, flowers and architectural details. This resulted in a complex layering of forms and colors into foreground and background.

‍The exhibition at Charleston explores ways that Betty Woodman’s and George Woodman’s shared life and experiences over more than six decades found expression in the works that emerged from each artists’ studio. Art history significantly influenced them both, as can be seen in many of the works on view at Charleston as well as numerous other works in the Foundation’s collection, as shown here.

Read Jelena Sofronijevic's feature on Betty Woodman and George Woodman. On view now through September 10, 2023 at Charleston, East Sussex, UK.