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Betty Woodman and George Woodman

Celebrating the life and impact of Agnes Gund

Tireless advocate and patron saint of art and social justice. Devoted friend and supporter to so many artists, curators, and institutions, including Betty Woodman and George Woodman and many of our Board members. Equity-focused creator of Studio in a School and the Studio Institute, whose summer interns we've been fortunate to host for many years.

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L to R: 1: George Woodman. “Paper Tilings,” 1981. Installation view, Wright State University, Dayton, OH, 1981 | 2, 3: Correspondence from Betty to George, 1952. Woodman Family Foundation Archives | 4: Detail from “Paper Tilings,” 1981, Wright State University | 5: Henri Matisse. “La Vierge et l’Enfant,” 1950. From “Matisse: From Color to Architecture” | 6: George Woodman. Paper tiles, 1980. Installation view, Denver Art Museum, Denver, CO, 1980 | 7: Henri Matisse. “L’Oiseau,” 1946. From “Matisse: From Color to Architecture” | 8: Spread from “Matisse: From Color to Architecture” | 9: Chapelle du Rosaire, Vence, France. Photo © David Huguenin | 10: George Woodman. “Sentimental Geometry,” 1981, 120 x 252 in. Hand-painted paper tiles. Installation view, Yellowstone Art Center, Billings, MT, 1981 | 11: Chapelle du Rosaire, Vence, France. Photo © Musée Matisse de Nice | 12: Betty Woodman. “The Chapel,” 2011, 105 x 86 x 13 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, wood, canvas | 13: Henri Matisse. “L’Arbre de Vie,” 1949. From “Matisse: From Color to Architecture” | 14: Betty Woodman. “Windows of Matisse,” 2005, 37 x 44 1/2 x 7 1/2 in. Glazed earthenware, epoxy resin, lacquer, paint | 15: Page from “Paper Tilings by George Woodman,” 1981 | 16: “Matisse: From Color to Architecture” by René Percheron and Christian Brouder, 2004. Works by Matisse © Succession H. Matisse / Artists Rights Society (ARS), New York. Works by Betty Woodman and George Woodman © Woodman Family Foundation / ARS, New York
George Woodman. “Paper Tilings,” 1981. Installation view, Wright State University, Dayton, OH, 1981 © Woodman Family Foundation / ARS, New York
Matisse’s influence on the Woodman family: La Chapelle du Rosaire. FROM THE ARCHIVES

Matisse’s influence on the Woodman family is evident not only in the joie de vivre and cut-out forms of Betty Woodman’s ceramic sculptures, but also in the architectural sensibilities that inform both her and George Woodman’s work. George’s site-specific paper tile installations, in particular, invite comparison to Matisse’s Chapelle du Rosaire—not through direct lineage, but through a shared devotion to formal clarity, and the transformative potential of scale and repetition.

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George Woodman. "Betty and George: 60 years of Matrimony," 2013, 24 x 19 1/2 in. Gelatin silver print | Betty and George on their honeymoon in Mexico, c. 1953. © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives
George Woodman. "Betty and George: 60 years of Matrimony," 2013, 24 x 19 1/2 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York
Happy anniversary to Betty and George Woodman

Happy anniversary to Betty and George Woodman, who married on this day in 1953.

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L to R: 1: Still Life Vase in kiln, Boulder, Colorado, 1991 | 2: Betty and kiln, Boulder, Colorado, March 1970 | 3: Betty and kiln, Boulder, Colorado, May 1965 | 4: “Folded Tri-part Vase,” 1975, 8 x 25 x 8 in. Salt glazed stoneware | 5: Betty and kiln, Boulder, Colorado, c. 1960s | 6: Kiln, Antella, Italy, c. 1990s | 7: Kiln, Antella, Italy, c. 1996 | 8: Kiln, Antella, Italy, c. 1990s | 9: Betty and kiln, Antella, Italy, c. 1990s | 10: Betty and George firing the kiln, Antella, Italy, c. 1973 | 11: “Pillow Pitcher: Italian,” 1977, 15 x 30 x 15 in. Terra sigillata | 12: Betty and kiln, Antella, Italy, c. 1960s | 13: Betty and kiln, Antella, Italy, c. 1969 | 14: “Fabric Samples” in progress in kiln, New York, New York, 2005 | 15: “Fabric Samples,” 2005, 30 x 31 x 8 in. Glazed earthenware. Installation view from “The Art of Betty Woodman,” Metropolitan Museum of Art, New York, New York, 2006 | 16: Ceramic fragments in the kiln, New York, New York, 2013 | 17: Detail from “Wallpaper 9,” 2015, dimensions variable. Glazed earthenware, epoxy resin, lacquer, acrylic paint | 18: “Vase,” 1955, 5 x 5 x 5 in. Lusterware | 19: Kiln, Albuquerque, New Mexico, 1955. All artworks by Betty Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives.
Still Life Vase in kiln, Boulder, Colorado, 1991. Artwork by Betty Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives.
Betty Woodman and her kilns: FROM THE ARCHIVES

Throughout her career, Betty Woodman embraced the possibilities that different kilns and firing techniques offered, adapting her approach to the materials available in the diverse places where she lived and worked.

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Detail: Betty Woodman walking under torii gates, Japan, 1990 / Pair: Details of Betty Woodman and George Woodman in a traditional ryokan inn, Japan, 1990 / Betty Woodman, Japan, 1990 / George Woodman, Japan, 1990 / George Woodman, Shinto shrine, Japan, 1990 / Hōryū-ji Temple, Nara, Japan, 1990 / Buddhist Guardian statue, Hōryū-ji Temple, Nara, Japan, 1990 / Pillars, Hōryū-ji Temple, Nara, Japan, 1990 / Shave ice stall, Japan, 1990. Woodman Family Foundation Archives.
Detail: Betty Woodman walking under torii gates, Japan, 1990. Woodman Family Foundation Archives.
Betty Woodman and George Woodman in Japan, 1990

As the solstice today marks the official beginning of summer, we are reminded of the Woodmans’ extensive travels around the world and their months immersed in global artistic influences.

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Across oceans and borders, a customs declaration became a promise: FROM THE ARCHIVES...

Around 1952, a young George Woodman in Cambridge, Massachusetts, penned his devotion on a USPS customs form: “Little box with littler box inside” and “1 engagement ring of Navajo silver with turquoises.” The precious 4-ounce package was destined for the hands of Elizabeth Abrahams (later to be known as Betty Woodman) across the ocean in Fiesole, Italy, where she had been living and working for the past year.

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Still from exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives.
Still from exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives. All artworks © Woodman Family Foundation / DACS, London.
Exhibition video for "Betty Woodman and George Woodman," Charleston, East Sussex, UK, March 25-September 10, 2023

Catch a glimpse of Betty and George Woodman's Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

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Video vignettes from Charleston for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25-September 10, 2023

Video vignettes by Charleston that highlight artworks by Betty Woodman and George Woodman included in the exhibition Betty Woodman and George Woodman. On view through September 10, 2023.

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L to R: Betty Woodman. "Balustrade Relief Vase 00-5," 2000. 81 x 67 x 8 in. Glazed earthenware, epoxy resin, lacquer, and paint / Detail: George Woodman. "Low Balustrade Screen (Garden Balustrade Screen)," 1981 / George Woodman. "Low Balustrade Screen (Garden Balustrade Screen)," 1981 42 x 151 ½ in. Each panel 42 x 30 in. Acrylic paint on canvas.
L to R: Betty Woodman. "Balustrade Relief Vase 00-5," 2000. 81 x 67 x 8 in. Glazed earthenware, epoxy resin, lacquer, and paint / Detail: George Woodman. "Low Balustrade Screen (Garden Balustrade Screen)," 1981 42 x 151 ½ in. Each panel 42 x 30 in. Acrylic paint on canvas.
"Betty Woodman and George Woodman" preview in "Financial Times," February 26, 2023

Read Ajesh Patalay's preview of "Betty Woodman and George Woodman" on view now through September 10, 2023 at Charleston, East Sussex, UK.

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Video interviews from the Woodman Family Foundation archives included in the exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives. All artworks © Woodman Family Foundation / DACS, London.
Still from exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives. All artworks © Woodman Family Foundation / DACS, London.
CLOSING SEPTEMBER 10: "Betty Woodman and George Woodman," Charleston, East Sussex, UK, March 25-September 10, 2023

Last chance to see this unique exhibition, the first two-person presentation of Betty Woodman’s and George Woodman’s work in the UK. Focused on the couple's prolific time at their farmhouse in Antella, Italy—where they lived and worked for part of each year for nearly fifty years—the exhibition explores the artists’ mutual influences and their shared life immersed in art, culture, travel and experimentation, reflected in kindred palettes and patterns. Catch a glimpse of their Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

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Installation view: Betty Woodman and George Woodman at Charleston 2023. © The Charleston Trust; photograph: James Bellorini.
Installation view: Betty Woodman and George Woodman at Charleston 2023. © The Charleston Trust; photograph: James Bellorini.
"Betty Woodman and George Woodman" featured in "Stories" on Charleston's website

Read Halima Jibril's piece on "Betty Woodman and George Woodman." On view now through September 10, 2023 at Charleston, East Sussex, UK.

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