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Exhibition
Read Sarah Watling's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Apollo Magazine.
Read MoreRead Ben Luke's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on The Standard.
Read MoreRead Katie Tobin's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Wallpaper*.
Read MoreRead Jo Lawson-Tancred's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Artnet.
Read MoreJoin Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her development of photography’s capacity to invest representation with allegory and metaphor.
Read MoreRead Charlotte Jansen's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery in The Telegraph.
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Read Isabelle Young's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Doris Press.
Read MoreRead Hettie Judah's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on The i Paper.
Read MoreRead Alastair Sooke's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on The Telegraph.
Read MoreRead Sean O'Hagan's review of "Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In" at the National Portrait Gallery on "The Guardian."
Read MoreIt’s your last chance to see “Portraits to Dream In,” beautifully installed to recall the period from cool, blue dusk to warm, rosy dawn and reflect what curator Magdalene Keaney describes as “the dream space” shared by both Woodman's and Cameron’s photographs.
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Francesca Woodman and Julia Margaret Cameron frequently used doubling in their photographs.
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