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Francesca Woodman. "Untitled," c. 1975-78, 9 1/2 x 12 1/4 in. (24.13 x 31.12 cm). Gelatin silver print © Woodman Family Foundation / VISDA, Copenhagen.

OPENING October 11: "OCEAN," Louisiana Museum of Modern Art, Humlebæk, Denmark, 2024

This exhibition delves into the depths where imagination meets reality, considering ways the sea has been a source of adventure and destruction throughout history.

L to R: 1: Francesca Woodman. “Untitled”, c. 1977-78. Gelatin silver print. 5 11/16 x 5 13/16 in. / 2: Francesca Woodman. “Untitled”, 1979, Chromogenic print. 3 3/8 x 3 1/2 in. / 4: Francesca Woodman. “Untitled”, 1979, Chromogenic print. 3 3/8 x 3 1/2 in. / 6: Francesca Woodman. “House #4”, 1976, from the "House" series. Gelatin silver print. 5 11/16 x 5 3/4 in. / 9: Francesca Woodman. “Untitled”, 1979. Chromogenic print. 3 5/16 x 3 1/2 in. / 3, 5, 7, 8, 10: Gordon Matta-Clark. “Bingo”, 1974. Building fragments: painted wood, metal, plaster, and glass, three sections. All photographs taken at The Museum of Modern Art, New York, 2024 / All Francesca Woodman artworks © Woodman Family Foundation / Artists Rights Society (ARS), New York.

Francesca Woodman. “Untitled”, c. 1977-78. Gelatin silver print. 5 11/16 x 5 13/16 in. © Woodman Family Foundation / Artists Rights Society (ARS), New York

Rehan Miscki, The Woodman Family Foundation's Digital Imaging and Photography Manager: STAFF PICKS

Hello, this is Rehan Miskci. I recently joined The Woodman Foundation as their Digital Imaging and Photography Manager. I’m lucky to be involved with Francesca, Betty and George Woodman’s works on a daily basis and oversee any image-based needs.

L to R: Betty, Charles, and Francesca Woodman in front of the New York World's Fair Unisphere, 1964 / Charles and Francesca Woodman in front of Thailand's pavilion, 1964 / Bird's eye view of the New York World's Fair, 1964. Woodman Family Foundation Archives.

Betty, Charles, and Francesca Woodman in front of the New York World's Fair Unisphere, 1964. Woodman Family Foundation Archives.

The Woodmans at the 1964 New York World's Fair: FROM THE ARCHIVES...

Sixty years ago, before they had traveled much of the world together, the Woodman family visited the 1964-1965 New York World’s Fair in Flushing Meadows-Corona Park.

L to R: Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 7 1/8 x 9 3/16 in. / Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 6 13/16 x 9 3/8 in. / George Woodman. “Psyche, Amor and Sara,” 2010. Oil on gelatin silver print. 163 x 226 in. / George Woodman. “Five Cases of Classicism,” 2011. Gelatin silver print. 23 x 35 3/4 in © Woodman Family Foundation / Artists Rights Society (ARS), New York

Francesca Woodman. “Untitled,” c. 1979-80. Gelatin silver print. 7 1/8 x 9 3/16 in © Woodman Family Foundation / Artists Rights Society (ARS), New York

Mallory O'Donoghue, The Woodman Family Foundation's Collections Researcher: STAFF PICKS

As the Woodman Family Foundation’s Collections Researcher, I spend a good amount of my working hours digging around libraries and special collections scattered throughout New York City. I believe the artists of the Woodman Family Foundation were equally as inspired by this bustling and beautiful metropolis as I am.

L to R: “Untitled,” c. 1975-78, 7 3/8 x 7 3/8 in. / “Untitled,” 1978, 35 1/4 x 33 in. / “Untitled,” 1976, 5 7/8 x 5 7/8 in. / "Self-portrait Talking to Vince," 1977, 5 3/16 x 5 1/16 in. / "Untitled," 1976, 5 1/2 x 5 5/8 in. / “Space²,” from the “Space²” series, 1976, 5 1/14 x 5 in. / "Sloan," 1976, 5 15/16 x 5 7/8 in. All gelatin silver prints. All works by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York.

Francesca Woodman. “Untitled,” c. 1975-78, 7 3/8 x 7 3/8 in. Gelatin silver print © Woodman Family Foundation / Artists Rights Society (ARS), New York.

Micaela Walker, The Woodman Family Foundation's Archivist: STAFF PICKS

Becoming the archivist at the Woodman Family Foundation sometimes feels oddly inevitable to me. I was introduced to Francesca Woodman’s images as a photography major at RISD twenty years after her time there and remember being both besotted with and intimidated by her work.

L to R: Pair: Julia Margaret Cameron. “Il Penseroso,” 1865, 252 x 202 mm. Albumen print. The Victoria and Albert Museum / Francesca Woodman. “Self-Portrait on That Same Day,” c. 1977, 5 5/16 x 5 1/4 in. Gelatin silver print. / Images 2-7: Installation views, “Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In,” Institut Valencià d'Art Modern, Valencia, Spain, 2024. Images courtesy Institut Valencià d'Art Modern. Photo: Miguel Lorenzo / Pair: Julia Margaret Cameron. “Marie Spartali,” 1870, 362 x 267 mm. Albumen silver print. The J. Paul Getty Museum / Francesca Woodman. “Space²," from the “Space²“ series, 5 11/16 x 5 11/16 in. Gelatin silver print. All Francesca Woodman artworks © Woodman Family Foundation / VEGAP, Madrid.

Pair: Julia Margaret Cameron. “Il Penseroso,” 1865, 252 x 202 mm. Albumen print. The Victoria and Albert Museum / Francesca Woodman. “Self-Portrait on That Same Day,” c. 1977, 5 5/16 x 5 1/4 in. (13.50 x 13.34 cm). Gelatin silver print. © Woodman Family Foundation / VEGAP, Madrid.

NOW ON VIEW: “Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In” in Spain

"Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In" is currently on view in Spain through October 20.

Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In, installation view. Courtesy National Portrait Gallery, London. Photo: David Parry.

"Francesca Woodman and Julia Margaret Cameron" in "4Columns," May 31

Read Emily LaBarge's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on 4Columns.

Installation view of Francesca Woodman’s Caryatid series at the National Portrait Gallery, London, 2024. Photograph by David Parry.

"An Unexpected Pairing of Francesca Woodman and Julia Margaret Cameron" in "Aperture," May 16

Read Stephen Frailey's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Aperture.

"Photography’s Shooting Star" in "Air Mail," March 16

Read Sarah Hyde's feature on Francesca Woodman and exhibitions Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery & Francesca Woodman at Gagosian on Air Mail.

"‘Portraits to Dream In’ goes beyond the usual appraisals of art by women" in "British Journal of Photography," April 5

Read Eliza Goodpasture's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on the British Journal of Photography.

Pair: Julia Margaret Cameron. "I Wait (Rachel Gurney)," 1872. Albumen print. J. Paul Getty Museum, Los Angeles / Francesca Woodman. "Untitled," from the "Angels" series, 1977, 3 1/4 x 3 1/4 in. (8.255 x 8.255 cm). Gelatin silver print © Woodman Family Foundation / DACS, London.

"The dreamlike visions of Julia Margaret Cameron and Francesca Woodman" in Apollo Magazine, April 5

Read Sarah Watling's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on Apollo Magazine.

Pair: Francesca Woodman. "Untitled," 1979, 7 3/8 x 9 1/2 in. (18.6 x 24 cm). Gelatin silver print © Woodman Family Foundation / DACS, London / Julia Margaret Cameron. "The Dream (Mary Hillier)," 1869. Courtesy of the Wilson Centre for Photography.

"Francesca Woodman and Julia Margaret Cameron at the NPG review: hundreds of unforgettable, magnificent images" in "The Standard," March 19

Read Ben Luke's review of Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery on The Standard.

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