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L to R: All artworks by Betty Woodman. “Green Checks,” 2014. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, and wood. 60 1/2 x 43 x 10 1/4 in. Photo: Brian Forrest / “Tuesday Afternoon,” 2016. Glazed earthenware, epoxy resin, acrylic paint, and canvas. 84 x 38 x 13 in. Photo: Jeff McLane / “From Nina’s Room,” 2016. Acrylic paint, pencil, ink, and collage on paper. 29 x 36 in. Photo: Phoebe d’Heurle. All images Courtesy of David Kordansky Gallery.

Betty Woodman. “Green Checks,” 2014. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, and wood. 60 1/2 x 43 x 10 1/4 in. Courtesy of David Kordansky Gallery. Photo: Brian Forrest.

Betty Woodman at The ADAA Art Show

This solo presentation of wall-based works by Woodman focuses on the culminating phase of her 60-year career. The paintings on view--on canvas, ceramic, and paper--illuminate the artist's daring approach to materials and radical explorations of two- and three-dimensional form.

L to R: Betty Woodman during her Rockefeller Foundation Fellowship, Bellagio Study Center, Bellagio, Italy, 1995. Woodman Family Foundation Archives / Installation view: “Distant Conversations: Ella Walker and Betty Woodman,” Currier Museum of Art, Manchester, NH, 2023. Photo(s) by Morgan Karanasios, Courtesy of the Currier Museum of Art. Artwork by Betty Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York / Katarina Jerinic and Lorenzo Fusi in conversation, Currier Museum of Art, Manchester, NH, September 28, 2023.

Betty Woodman during her Rockefeller Foundation Fellowship, Bellagio Study Center, Bellagio, Italy, 1995. Woodman Family Foundation Archives.

THIS THURSDAY "Italian Connections: Ella Walker and Betty Woodman," September 28, 6-7pm, Currier Museum of Art, Manchester, NH

Join us this THURSDAY for Italian Inspirations - a free program celebrating the ongoing exhibition, “Distant Conversations: Ella Walker and Betty Woodman,” on view now through October 22. Katarina Jerinic, Collections Curator at The Woodman Family Foundation, will offer deeper insight into how Betty Woodman’s time in Italy influenced her singular approach to ceramic sculpture, paired with a presentation from the Currier’s Chief Curator Lorenzo Fusi highlighting the influence of Italian fresco on Ella Walker’s work.

L to R: Betty Woodman. “Courtyard: Pontormo,” 2016. 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas / Images 2-3: Spreads from “Betty Woodman: New York/Florence.” Purple Magazine, Fall/Winter, 2017 / Betty Woodman. “Courtyard: Van Gogh,” 2016. 96 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas.

Betty Woodman. “Courtyard: Pontormo,” 2016. 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas.

Betty Woodman interview with Selva Barni, "Purple Magazine," Fall/Winter, 2017: READING ROOM

READING ROOM highlights past essays, reviews and interviews about Betty Woodman, Francesca Woodman, and George Woodman that provided new insights and lenses through which to understand their work. In this interview with Selva Barni, published in "Purple Magazine" in 2017, Betty Woodman talks about taking chances in her work and life, her relationship to feminism, her shift from potter to sculptor, and much more.

Video interviews from the Woodman Family Foundation archives included in the exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives. All artworks © Woodman Family Foundation / DACS, London.

Still from exhibition video for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25–September 10, 2023. Exhibition video Charleston Trust. All video interviews Woodman Family Foundation Archives. All artworks © Woodman Family Foundation / DACS, London.

CLOSING SEPTEMBER 10: "Betty Woodman and George Woodman," Charleston, East Sussex, UK, March 25-September 10, 2023

Last chance to see this unique exhibition, the first two-person presentation of Betty Woodman’s and George Woodman’s work in the UK. Focused on the couple's prolific time at their farmhouse in Antella, Italy—where they lived and worked for part of each year for nearly fifty years—the exhibition explores the artists’ mutual influences and their shared life immersed in art, culture, travel and experimentation, reflected in kindred palettes and patterns. Catch a glimpse of their Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

L to R: Detail of Betty Woodman / Betty Woodman, Uxmal, Yucatán, Mexico, c. 1980s / Betty Woodman and friend, Yucatán, Mexico, c. 1980s / Pyramid of the Magician, Uxmal, Yucatán, Mexico, c. 1980s / Pyramid of the Magician, Uxmal, Yucatán, Mexico, c. 1980s / George Woodman, Yucatán, Mexico, c. 1980s / Betty Woodman, Hotel Real Toledo by Kavia, Mérida, Yucatán, Mexico, c. 1980s / George Woodman, Hotel Real Toledo by Kavia, Mérida, Yucatán, Mexico, c. 1980s / George Woodman, Hotel Real Toledo by Kavia, Mérida, Yucatán, Mexico, c. 1980s. Woodman Family Foundation Archives.

Detail of Betty Woodman, Uxmal, Yucatán, Mexico, c. 1980s. Woodman Family Foundation Archives.

Yucatán, Mexico, c. 1980s: SUMMER TRAVELS WITH THE WOODMAN FAMILY

The Woodmans’ travels also took them beyond the historical and cultural capitals of Europe. For Betty and George, this included trips to India, China, Japan, Korea, and more than one visit to Mexico—a country where they spent three months on their honeymoon in the summer of 1953. Here they are in the 1980s exploring the ancient Mayan city of Uxmal, home to the Pyramid of the Magician, as well as some of Yucatan’s more recent architectural gems.

Installation view: Betty Woodman and George Woodman at Charleston 2023. © The Charleston Trust; photograph: James Bellorini.

"Betty Woodman and George Woodman" featured in "Stories" on Charleston's website

Read Halima Jibril's piece on "Betty Woodman and George Woodman." On view now through September 10, 2023 at Charleston, East Sussex, UK.

L to R: Charles Woodman, George Woodman, and Betty Woodman, Ponte Vecchio, Florence, Italy, c. 1966 / George Woodman, Florence, Italy, 1966 / Francesca Woodman and Charles Woodman, Fiesole, Italy, c. 1966 / Charles Woodman and Francesca Woodman, Pompeii, Metropolitan City of Naples, Campania, Italy, 1966 / Charles Woodman and Francesca Woodman, Alhambra, Granada, Spain, c. 1966 / Tile detail Alhambra, Granada, Spain / Detail of George Woodman, ceramic tile installation Delavan-Canisius College Station, NFTA-Metro, Buffalo, NY, 1984 / George Woodman. “A Gentle Tessellation,” 1966-68. 43 1/4 x 43 1/34 in. Acrylic paint on canvas / George Woodman with tile mural commissioned by General Motors and the Detroit Transportation Corporation. Detail of the work in progress on the floor of George's studio, Antella, Italy, 2003. All images Woodman Family Foundation Archives unless otherwise noted. All artworks © Woodman Family Foundation / Artists Rights Society (ARS), New York.

Charles Woodman, George Woodman, and Betty Woodman, Ponte Vecchio, Florence, Italy, c. 1966. Woodman Family Foundation Archives.

Family trips to Florence, Fiesole, and Pompeii in Italy, and Granada, Spain. c. 1966: SUMMER TRAVELS WITH THE WOODMAN FAMILY

The Woodmans spent another year together just outside of Florence from 1965-66. Betty had a Fulbright-Hays fellowship and George a faculty fellowship from the University of Colorado, while Charlie and Francesca attended the local public school. Of course they did not miss the opportunity to take breaks for traveling and exploring. Here they are wandering through Florence, nearby Fiesole, Pompeii and onward to Granada, Spain where they visited the Alhambra—one of the best-preserved palaces of Islamic architecture, with walls and floors covered in geometric mosaic tiles.

L to R: Francesca Woodman, 1971 / Pair: Betty Woodman, 1971 / George Woodman, 1971 / Francesca Woodman and friend, 1971 / Betty Woodman and friend, 1966 / Francesca Woodman and Charles Woodman, 1966 / George Woodman, 1966 / View of Acropolis of Athens from boat, Athens, Greece, 1966 / Betty Woodman, Greece, 1971 / Francesca Woodman, Greece, 1971. All images Acropolis of Athens, Athens, Greece unless otherwise noted. Woodman Family Foundation Archives.

Francesca Woodman, Acropolis of Athens, Athens, Greece, 1971. Woodman Family Foundation Archives.

Acropolis of Athens, Athens, Greece, 1971 and 1966: SUMMER TRAVELS WITH THE WOODMAN FAMILY

The Woodman family made at least two trips to Greece together—or more as Francesca later described when discussing her monumental diazotype construction of a temple: "It’s funny how while I was living in Italy the culture there didn’t affect me that much and now I have all this fascination with the architecture etc, Francesca who as a child visited the Acropolis 3 times and always yawned.” The impact and influence of classical ruins, the architecture as well as the female form, can also be seen in both Betty’s and George’s work over many decades.

Installation view: “Betty Woodman and George Woodman," Charleston, East Sussex, UK, 2023.

Video vignettes from Charleston for “Betty Woodman and George Woodman,” Charleston, East Sussex, UK, March 25-September 10, 2023

Video vignettes by Charleston that highlight artworks by Betty Woodman and George Woodman included in the exhibition Betty Woodman and George Woodman. On view through September 10, 2023.

L to R: 1-2: Betty Woodman with Francesca Woodman and Charles Woodman, passport, 1959 / 3-4: George Woodman, passport, 1959 / 5-6: Betty Woodman with Charles Woodman and Francesca Woodman, passport, 1965 / 7-8: George Woodman, passport, 1965 / 9-10: Betty Woodman with Francesca Woodman, passport, 1970. Woodman Family Foundation Archives.

Betty Woodman with Francesca Woodman and Charles Woodman, passport, 1959. Woodman Family Foundation Archives.

The Woodmans' passports, 1959, 1965, and 1970: SUMMER TRAVELS WITH THE WOODMAN FAMILY

As everyone heads out on vacation this August, we’re taking a look back at the Woodman family’s travels throughout the years with images from our archives…Throwback to a time when kids had to be on their moms passport! The Woodman family loved to travel and visited Naples, Milan, Florence, Paris, Quebec, London, Granada, New York City, Croatia (then a part of Yugoslavia), Istanbul, and Copenhagen between 1959 to 1974.

Exhibition video for "Betty Woodman and George Woodman," Charleston, East Sussex, UK, March 25-September 10, 2023

Catch a glimpse of Betty and George Woodman's Italian studios and home and hear them speak about the importance of Italy to their work in this exhibition video, assembled from interviews in the Woodman Family Foundation archives.

L to R: Pair: George Woodman. “Piazza San Francesco di Paola,” 1965. 32 x 32 in. Oil paint on canvas. Photo: John Berens / Betty Woodman. “Aztec Vase and Carpet: April,” 2016. 38 1/2 x 58 x 43 in. Glazed earthenware, epoxy resin, lacquer, paint, and canvas. Photo: Jeff Elstone / Installation view: George Woodman. “Piazza San Francesco di Paola,” 1965 / Betty Woodman. “Aztec Vase and Carpet: April,” 2016 / Betty Woodman. “Wallpaper 19,” 2017 / Pair: Betty Woodman. “Wallpaper 19,” 2017. 65 x 59 in. Glazed earthenware, epoxy resin, lacquer, and acrylic paint / George Woodman. Paper Tile Installation, 1982. Dimensions variable / Installation view: Betty Woodman. “Aztec Vase and Carpet: April,” 2016 / Betty Woodman. “Wallpaper 19,” 2017 / George Woodman. Paper Tile Installation, 1982 / Betty Woodman. “My House,” 2014. 80 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, and wood / George Woodman. “Pitti, Medea, Roses,” c. 1988. 41 1/4 x 72 in. Gelatin silver print / Betty Woodman. “Santa Barbara,” 2005. Glazed earthenware, epoxy resin, lacquer, paint, and canvas / George Woodman. “Cosmati,” 1966. 60 x 60 in. Oil paint on canvas / Installation view: George Woodman, "The Rochester Carpet," 1984, Bevier Gallery, RIT, Rochester, New York. Woodman Family Foundation Archives / Betty Woodman. “Aztec Vase and Carpet #3,” 2012. 35 x 85 x 43 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, and canvas. All Charleston installation views: "Betty Woodman and George Woodman" at Charleston 2023. © The Charleston Trust; photograph: James Bellorini.

Pair: George Woodman. “Piazza San Francesco di Paola,” 1965. 32 x 32 in. Oil paint on canvas. Photo: John Berens / Betty Woodman. “Aztec Vase and Carpet: April,” 2016. 38 1/2 x 58 x 43 in. Glazed earthenware, epoxy resin, lacquer, paint, and canvas. Photo: Jeff Elstone.

Frescos, patterns, and mosaics: "Betty Woodman and George Woodman," Charleston, East Sussex, UK, March 25-September 10, 2023

Fragmented frescos glimpsed in Italian churches and Roman ruins, geometry noticed in Cosmati floor mosaics, and patterns seen on tile walls in Spain, Turkey, Morocco, Mexico and Portugal provided decades-worth of ideas for both artists, realized on the floor and on the wall.