Betty Woodman. "Window," 1980. Pigment, thread, velcro on cotton, canvas, sateen, and earthenware. 62 x 75 in. Collection of The Fabric Workshop and Museum. Photo: Phillip Unetic
Betty Woodman, "Window," 1980. Collection of The Fabric Workshop and Museum. Photo: Phillip Unetic © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Hard/Cover" at Fabric Workshop and Museum, Philadelphia, Pennsylvania, 2021
"Hard/Cover" looks at the interdisciplinary practice of three influential artists who participated in FWM's unique residency program, as well as five contemporary artists whose new works are equally informed by process and the intersection of ceramics and screen printing.
Betty Woodman. "Pillow Pitcher: Sea of Japan," 1985. 17 x 24 1/2 x 18 inches. Glazed earthenware. Robert A. Ellison Jr. Collection | "Shapes From Out of Nowhere: Towards Abstraction in Clay 1890-2018: The Robert A. Ellison Junior Collection" exhibition catalogue. Published by August Editions, January 5, 2021.
Betty Woodman. "Pillow Pitcher: Sea of Japan," 1985. 17 x 24 1/2 x 18 inches. Glazed earthenware. Robert A. Ellison Jr. Collection © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection," The Metropolitan Museum of Art, New York, New York, 2021
Betty Woodman in “Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection” at the Metropolitan Museum of Art through August 29, 2021.
Cover and pages from Pattern, Crime & Decoration catalogue, edited by Franck Gautherot and Seungduk Kim, MAMCO, Geneva, Le Consortium, Dijon, 2020.
"Pattern, Crime & Decoration" catalogue, edited by Franck Gautherot and Seungduk Kim, MAMCO, Geneva, Le Consortium, Dijon, 2020.
George Woodman and Betty Woodman featured in newly released "Pattern, Crime & Decoration" exhibition catalogue
The catalogue for "Pattern, Crime & Decoration"—a two-part exhibition at MAMCO, Geneva and Le Consortium, Dijon —focuses on the work of artists associated with the Pattern and Decoration movement in the US. It includes paintings by George Woodman and wall-based ceramic sculptures by Betty Woodman.
Betty Woodman. "Joined Vases," 1972, 11 1/2 x 23 x 10 in. Porcelain © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Making Knowing: Craft in Art, 1950-2019" at Whitney Museum of American Art, New York, New York, 2020
This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.
Betty Woodman. "The Red Table," 2014, 67 1/2 x 86 1/2 x 14 1/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood © Woodman Family Foundation / Artists Rights Society (ARS), New York
Detail from Betty Woodman. "The Red Table," 2014, 67 1/2 x 86 1/2 x 14 1/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas, wood © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "For a Dreamer of Houses" at Dallas Museum of Art, Dallas, Texas, 2020
Betty Woodman’s "The Red Table" (2014) is included in this exhibition of works from the museum’s collection which explore the significance of our domestic spaces.
Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
Detail from Betty Woodman. "Of Botticelli," 2013, 126 x 384 x 3/4 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "Less is A Bore: Maximalist Art & Design" at ICA Boston, Boston, Massachusetts, 2019
Ceramic and mixed-media installations spanning Betty Woodman’s career are featured in this exuberant exhibition of works tracing the legacy of Pattern and Decoration.
Betty Woodman. "Grey Stripe Diptych," 2016, 29 x 30 3/4 x 5 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint © Woodman Family Foundation / Artists Rights Society (ARS), New York
ON VIEW: Betty Woodman in "She Persists: A Century of Women Artists in New York" at Gracie Mansion, New York, New York, 2019
Betty Woodman takes her place alongside her peers—both past in present—in this lively exhibition of works by New York-based women artists.
Betty Woodman. "Courtyard: Pontormo," 2016, 110 x 84 x 10 in. Glazed earthenware, epoxy resin, lacquer, acrylic paint, canvas © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Les Chemins du Sud" at Musée régional d'art contemporain, Sérignan, France, 2019
Bronze benches and complex canvas and ceramic paintings by Betty Woodman are included in this exhibition of works focused on a decorative approach to art.
Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
Detail from Betty Woodman. "Villa Oplontis," 2006, 45 x 121 x 11 in. Terra sigillata, canvas, glazed earthenware, epoxy resin, lacquer, wood. Photo: Annik Wetter. Courtesy MAMCO Geneva. Artwork © Woodman Family Foundation / ADAGP, Paris
ON VIEW: Betty Woodman in "Pattern, Crime & Decoration" at Le Consortium Museum, Dijon, France, 2019
This exhibition—and the canvas and ceramic painting by Betty Woodman included within it—reflects on the enduring influence of the Pattern and Decoration movement.
Betty Woodman. "Still Life Vase: 11," 1990, 35 x 30 1/4 x 9 5/8 in. Glazed earthenware, epoxy resin, lacquer, and paint © Woodman Family Foundation / ARS, New York
ON VIEW: Betty Woodman in "Making Knowing: Craft in Art, 1950-2019" at Whitney Museum of American Art, New York, New York, 2019
This exhibition of works spanning 70 years looks at ways that artists draw on craft traditions and materials. It includes multiple works by Betty Woodman, from her early push beyond production pottery to more recent works showcasing her talents as a painter and sculptor.
Betty Woodman. "Shelf and Vase: Trophy Wall Vase," c. 1983-84, 30 x 18 1/2 x 6 3/4 in. Glazed earthenware © Woodman Family Foundation / ARS, New York
ON VIEW: Betty Woodman in "With Pleasure: Pattern and Decoration in American Art 1972-1985" at Museum of Contemporary Art, Los Angeles, California, 2020
Betty Woodman’s breakthrough wall-based sculptures from the late 1970s and early 1980s are included in this scholarly and comprehensive survey of artists associated with the Pattern and Decoration movement in the U.S.