Betty Woodman in "The Flames: The Age of Ceramics" at Musee d'Art Moderne de Paris, Paris, France, October 15, 2021-February 6, 2022
"The Flames" takes a transhistorical approach to ceramics to assert the critical relationship of clay to both art and humankind. The exhibition combines ancient objects dating back to the Neolithic with those made by contemporary artists—including Betty Woodman—and everything in between.
Betty Woodman's functional bronze sculptures: From the Archives...
On occasion, Betty Woodman translated her abiding interest in the subject of function into materials other than clay, always pushing the possibilities of a particular medium. In 1999, she began an ongoing collaboration with Fonderia Artistica Belfiore in Pietrasanta, Italy, an idea which came from a conversation with her longtime gallerist, Max Protetch and was in part inspired by fellow gallery artist Scott Burton’s sculptural furniture, as well as the formal Italian gardens she had spent decades exploring.
AUGUST IN ANTELLA
Beginning in the summer of 1968, the Woodman Family spent every summer at their stone farmhouse in Antella, Italy, just outside of Florence. As children, Charlie and Francesca joined their parents and later visited on their own, soaking in Italian culture and influences. Betty and George made some of their most important artistic breakthroughs there—a place George once described as "an artist residency for two.” All summer long, their garden produced abundant food and flowers—the tomatoes were particularly good in August, happily shared with frequent visitors.
Betty Woodman, Francesca Woodman, and George Woodman in “Interior Scroll or What I Did on My Vacation” at S&S Corner Shop, The Art Building, Springs, New York, July 24-September 26, 2021
OPENING TOMORROW: Betty Woodman, Francesca Woodman, and George Woodman in “Interior Scroll or What I did on My Vacation” at S&S Corner Shop, The Art Building, Springs, New York. On view July 24 through September 26, 2021. Organized by Soft Network. We are pleased to announce that this exhibition includes a selection of correspondence written between Betty, Francesca and George Woodman in 1978, as well as Francesca Woodman’s “Selected Video Works,” 1976-1978.
Saul Steinberg show announcement from George Woodman to Betty Woodman, 1952: From the Archives...
George Woodman and Betty Abrahams wrote each other regularly beginning soon after they met in 1951—while Betty was at home in Newton, MA and later in Fiesole, Italy and George at home in Concord, NH or at school at Harvard in Cambridge, MA—until they married in 1953. In 1952, after a trip to New York and a visit to an exhibition of drawings by Saul Steinberg (fellow lover of cats, who drew them frequently), George sent Betty this show announcement, remarking “these wonderful cats I got for you when I was in N.Y.”
Betty Woodman in “With Pleasure: Pattern and Decoration in American Art 1972-1985” at Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, June 26 - November 28, 2021
This ambitious exhibition, curated by Anna Katz, brings together American artists, including Betty Woodman, associated with the Pattern and Decoration movement in the first such comprehensive and scholarly survey. The exhibition showcases painting, sculpture, collage, ceramics, installation and performance which embraced craft-based and decorative traditions and approached art-making from a sometimes dizzying appreciation of historic sources and feminist aesthetics.
The Woodman family explores Italy, circa 1959-60 and 1965-66: From the Archives...
The Woodman family’s lifelong love of Italy began in 1951 with Betty’s yearlong apprenticeship in Fiesole. After marrying in 1953, Betty and George took their young children, Charles and Francesca, for extended stays in 1959-60 and again in 1965-66.
An invitation to friends from George for Betty Woodman's 60th birthday party, 1990: From the Archives...
"Let us celebrate!”—as George Woodman and friends did on this day in 1990, fêting Betty Woodman for her 60th birthday at their Chelsea loft.
A birthday card from Betty to George Woodman, circa 1990s: From the Archives...
As Betty wrote in this card from the '90s, HAPPY BIRTHDAY, GEORGE! Pictured at the family’s Tuscan farmhouse, George happily shares space with two friendly doves, a thriving lemon tree, his sgraffito on the outdoor wall, and a good book. Betty’s photo, likely taken by George, captures the beauty of the beloved Italian landscape that informed his life and work for nearly 50 years.
Betty and George Woodman in "1+1=2" exhibition at Bernice Steinbaum Gallery, 1984: From the Archives...
In 1984, following a series of exhibitions at PS1 dedicated to “Art Couples,” art historian and critic Donald Kuspit organized "1 + 1 = 2" at Bernice Steinbaum Gallery in Manhattan. The exhibition paired the work of 31 artist couples and acknowledged a long-overdue cultural shift in recognizing women artists as peers to their male counterparts. Betty Woodman and George Woodman—included in the exhibition and married for more than thirty years at that point—often credited their mutual respect for and support of each other as artists as the bedrock of their marriage.
Betty Woodman's "Presenting Food" at The Fabric Workshop and Museum, 1985: From the Archives...
“Presenting Food,” 1985, marked Betty Woodman’s second project with the Fabric Workshop and Museum and a farewell to her work as a functional potter. For this dinner-performance event, held at the museum’s New York City gallery space, Woodman responded to chef Daniel Mattroce’s menu with her signature ceramic dinnerware and serving dishes, accompanied by fabrics she designed and printed at FWM’s Philadelphia studios. Woodman later recounted: “These are my last functional pieces, ‘presented’ like the food in an almost operatic finale.”
Betty Woodman in "Hard/Cover" at Fabric Workshop and Museum, Philadelphia, April 9 - September 26, 2021
Hard/Cover looks at the interdisciplinary practice of three influential artists who participated in FWM's unique residency program, as well as five contemporary artists whose new works are equally informed by process and the intersection of ceramics and screen printing.