Exhibition

L to R: 1: George Woodman, “Piazza San Francesco di Paola,” 1966, 32 x 32 in. Oil on canvas | 2: George Woodman, “Untitled,” 1964, 49 x 49 in. Oil on canvas | 3: George Woodman, “Untitled,” c. 1965, 57 x 68 in. Acrylic on canvas | 4: George Woodman, “Untitled,” 1967, 65 x 65 in. Oil on canvas | 5: George Woodman, “Rainbow Funnel,” c. 1967-69, 63 x 39 1/2 in. Acrylic on canvas | 6: George Woodman, Notes from a lecture on Sol LeWitt, c. 1976. Woodman Family Foundation Archives. | 7: George Woodman, Notes from a lecture on Pattern and Art, c. 1979. Woodman Family Foundation Archives. | 8: Sol LeWitt, “Wall Drawing 1: Drawing Series II 18 (A & B),” 1968, each 48 x 48 in. Graphite on wall. San Francisco Museum of Modern Art © The LeWitt Estate | 9: Sol LeWitt, “Cubic-Modular Wall Structure, Black,” 1966, 43 1/2 x 43 1/2 x 9 3/8 in. Painted wood. Museum of Modern Art © The LeWitt Estate | 10: Sol LeWitt, “Serial Project, I (ABCD),” 1966, 20 in. x 13 ft. 7 in. x 13 ft. 7 in. Baked enamel on steel units over baked enamel on aluminum. Museum of Modern Art © The LeWitt Estate | 11: Frank Stella, “Harran II,” 1967, 10 x 20 ft. Polymer on fluorescent polymer paint on canvas. Solomon R. Guggenheim Museum © Estate of Frank Stella | 12: Frank Stella, “Gray Scramble,” 1968-69, 69 x 69 in. Oil on canvas. Solomon R. Guggenheim Museum © Estate of Frank Stella | 13: Alfred Jensen, In-text plate (folio 13) from “A Pythagorean Notebook,” 1965, 15 9/16 × 20 11/16 in. Composition from illustrated book with 20 lithographs, published by Tamarind Lithography Workshop. Museum of Modern Art © Estate of Alfred Jensen | 14: Alfred Jensen, “That Is It,” 1966, 42 x 36 in. Oil on canvas. Museum of Modern Art © Estate of Alfred Jensen | 15: Alfred Jensen, “The Acrobatic Rectangle Per, Eleven,” 1967, 68 x 48 1/2 in. Oil on canvas. Whitney Museum of American Art © Estate of Alfred Jensen | 16: Agnes Martin, “Orchards of Lightning,” 1966, 11 3/4 x 9 3/8 in. Ink on paper. Museum of Modern Art © Estate of Agnes Martin | 17: Agnes Martin, “Untitled,” 1963, 8 x 8 in. Brush and ink and pen and ink on paper. Whitney Museum of American Art © Estate of Agnes Martin | 18: Agnes Martin, “Untitled,” 1960, 70 x 70 in. Oil on canvas. Dia Art Foundation © Estate of Agnes Martin. All George Woodman artworks © Woodman Family Foundation. All artworks © Artists Rights Society (ARS), New York

L to R: 1: George Woodman, Alhambra, Granada, Spain, c. 1965 | 2, 5, 9: Tile patterns in Alhambra, Granada, Spain, 1965 | 3: “7 Colors in 4’s,” 1966, 67 x 67 in. Acrylic on canvas | 4: Alhambra Palace baths, Granada, Spain. Photo © Guido Montanes Castillo | 6: “Untitled,” 1966, 66 1/2 x 66 1/2 in. Oil on canvas | 7: Sketch for painting, c. 1965-66 | 8: “San Francisco di Paolo” or “Axe Pattern,” 1966, 43 x 43 in. Acrylic on canvas | 10: Charles Woodman and Francesca Woodman, Alhambra, Granada, Spain, c. 1965 | 11: Betty Woodman, Alhambra, Granada, Spain, c. 1965. All artworks, sketches, and photos by George Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives.

L to R: 1: George Woodman’s studio, Tuscany, Italy, c. 1965-66 | 2: “Untitled,” 1965, 63 x 94 in. Oil on canvas | 3: “Untitled,” 1967, 31 3/4 x 31 3/4 in. Oil on canvas | 4: “Untitled,” c. 1965-66, dimensions unknown. Oil on canvas | 5: “Untitled,” c. 1966, 40 x 40 in. Oil on canvas | 6: “Cosmati,” 1966, 60 x 60 in. Oil on canvas | 7: Cosmati tile detail Cattedrale di Anagni, Anagni, Italy © Museo della Cattedrale di Anagni | 8: “Untitled,” c. 1966, 59 1/2 x 59 in. Oil on canvas | 9: Sketch for painting, c. 1965-66 | 10: “Trajan’s Column,” 1965/1966, 33 1/2 x 201 in. Acrylic on canvas | 11: Sketch for painting, undated | 12-14: Details from “Trajan’s Column,” 1965/1966 | 15: Exhibition announcement, “George E. Woodman: The Italian Paintings,”University Memorial Center Art Gallery, University of Colorado, Boulder, Colorado, 1966. All sketches and artworks by George Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives.

L to R: 1: “Untitled,” 1978, 49 x 49 in. Acrylic on canvas | 2: Installation view, “George Woodman: A Democracy of Parts, Paintings 1966-1978,” DC Moore Gallery, New York, New York, 2025 | 3: “Grey Portal,” 1978, 84 x 84 in. Acrylic on canvas | 4: “Untitled,” 1978, 48 x 48 in. Acrylic on canvas | 5-7: Installation views, “Three Paper Tilings,” Claremore College, Claremore, Oklahoma, 1979 | 8: Installation view, “Paper Tilings,” Denver Art Museum, Denver, Colorado, 1980 | 9: “Sentimental Geometry,” 1981, 120 x 252 in. Paper tiles. Installation view, “Criss-Cross at Yellowstone,” Yellowstone Art Center, Billings, Montana, 1981 | 10-11: “Rochester Carpet,” 1984. Hand-painted chipboard tile installation. Bevier Gallery, Rochester Institute of Technology, Rochester, New York, 1984. All artworks by George Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York. Woodman Family Foundation Archives.

L to R: Francesca Woodman, “Untitled," c. 1976, 4 7/8 x 5 1/8 in. Courtesy Elton John and David Furnish Collection. | Exhibition poster, “Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection” with Harley Weir, “Boys Don’t Cry, Senegal, 2015,” 2015 © Harley Weir | Francesca Woodman, “Untitled,” 1979, 5 7/8 x 5 13/16 in. | Detail from installation view of “Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection," Victoria and Albert Museum, 2024. Image courtesy and copyright Victoria and Albert Museum & James Retief | Exhibition graphic, “The ‘70s Lens: Reimagining Documentary Photography” with Anthony Barboza, “New York City,” 1970s © Anthony Barboza Photography | Francesca Woodman, “Untitled,” c. 1977-78, 5 9/16 x 5 3/8 in. | Francesca Woodman, “House #3,” c. 1975-76, from the “Abandoned House” series, 6 3/8 x 6 7/16 in. All Francesca Woodman works gelatin silver prints © Woodman Family Foundation / Artists Rights Society (ARS), New York / DACS, London

L to R: George Woodman. "Daphne," 1982, 78 x 60 in. Acrylic on canvas. Image courtesy DC Moore Gallery. Artwork © Woodman Family Foundation / Artists Rights Society (ARS), New York / Installation view, "Who Is There?", DC Moore Gallery, New York, 2024

L to R: Pair: Julia Margaret Cameron. “Il Penseroso,” 1865, 252 x 202 mm. Albumen print. The Victoria and Albert Museum / Francesca Woodman. “Self-Portrait on That Same Day,” c. 1977, 5 5/16 x 5 1/4 in. Gelatin silver print. / Images 2-7: Installation views, “Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In,” Institut Valencià d'Art Modern, Valencia, Spain, 2024. Images courtesy Institut Valencià d'Art Modern. Photo: Miguel Lorenzo / Pair: Julia Margaret Cameron. “Marie Spartali,” 1870, 362 x 267 mm. Albumen silver print. The J. Paul Getty Museum / Francesca Woodman. “Space²," from the “Space²“ series, 5 11/16 x 5 11/16 in. Gelatin silver print. All Francesca Woodman artworks © Woodman Family Foundation / VEGAP, Madrid.