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L to R: 1-3, 5, 6: Installation views, “The Mad MAD World of Jonathan Adler,” Museum of Arts and Design, 2025 | 4: Betty Woodman. “Indonesian Napkin Holder,” 1984, 18 1/2 x 22 1/2 x 10 1/2 in. Glazed earthenware © Woodman Family Foundation / Artists Rights Society (ARS), New York | 7: Installation view, “The Mad MAD World of Jonathan Adler" © Museum of Arts and Design
Installation view, “The Mad MAD World of Jonathan Adler,” Museum of Arts and Design, 2025
ON VIEW: Betty Woodman in "The Mad MAD World of Jonathan Adler,” Museum of Arts and Design, New York, New York, 2025

Curated by potter, interior designer, and author Jonathan Adler, this vibrant exhibition at MAD brings together over 60 works from the museum’s permanent collection, juxtaposed with Adler’s own iconic designs.

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L to R: 1, 5: Installation views from “Places to Dream,” Kunsten Museum of Modern Art Aalborg, Aalborg, Denmark, 2025 © Niels Fabæk, Kunsten Museum of Modern Art Aalborg | 2: “Untitled,” 1980. Archival pigment print | 3: “Untitled,” 1979, 3 3/8 x 3 1/2 in. Digital chromogenic print | 4: “Untitled,” 1979, 3 3/8 x 3/12 in. Digital chromogenic print | 6: “Space2, 1976, from the Space2 series. 5 7/8 x 5 5/8 in. Gelatin silver print. All artworks by Francesca Woodman © Woodman Family Foundation / VISDA, Copenhagen
Installation view from “Places to Dream,” Kunsten Museum of Modern Art Aalborg, Aalborg, Denmark, 2025 © Niels Fabæk, Kunsten Museum of Modern Art Aalborg
ON VIEW: Francesca Woodman in "Places to Dream," Kunsten Museum of Modern Art Aalborg, Aalborg, Denmark, 2025

This September marks the final opportunity to view Places to Dream, an exhibition featuring photographs by Francesca Woodman alongside works by Cindy Sherman, Ana Mendieta, Birgit Jürgenssen, and Nan Goldin, among others.

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L to R: “Untitled,” c. 1977-78, 8 x 8 1/16 in. | “Untitled,” 1977, 5 5/16 x 5 3/8 in. | Installation view from ““Blur / Obscure / Distort: Photography and Perception,” Norton Museum of Art, West Palm Beach, Florida, 2025. Photo courtesy Norton Museum of Art. All gelatin silver prints. All artworks by Francesca Woodman © Woodman Family Foundation / Artists Rights Society (ARS), New York.
Francesca Woodman. “Untitled,” c. 1977-78, 8 x 8 1/16 in. Gelatin silver print © Woodman Family Foundation / Bildupphovsrätt i Sverige, Stockholm
ON VIEW: Francesca Woodman in "The Subterranean Sky: Surrealism in the Moderna Museet Collection" and “Blur / Obscure / Distort: Photography and Perception,” 2025

Works by Francesca Woodman are currently on view in two museum exhibitions about Surrealism and photography's relationship with truth at the Moderna Museet and Norton Museum of Art, respectively.

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ON VIEW: Betty Woodman in "Hot! & Ready to Serve: Celebrating Functional Ceramics," American Museum of Ceramic Art, Pomona, California, 2025

In honor of International Museum Day this past week, our Collections Coordinator Celia Lê visited AMOCA, where Betty Woodman’s "Pillow Pitcher" is on view alongside works by Ron Nagle, Paul Soldner, Peter Voulkos, among others in "Hot! & Ready to Serve."

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Installation views of "Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In," National Portrait Gallery, London, 2024. Images courtesy and copyright National Portrait Gallery.
"Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In," National Portrait Gallery, 2024

It’s your last chance to see “Portraits to Dream In,” beautifully installed to recall the period from cool, blue dusk to warm, rosy dawn and reflect what curator Magdalene Keaney describes as “the dream space” shared by both Woodman's and Cameron’s photographs.

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Installation videos of Francesca Woodman's "Blueprint for a Temple (II)," Gagosian, New York

"Installation of Francesca Woodman's Blueprint for a Temple (II)" and "Time-lapse of Francesca Woodman's Blueprint for a Temple (II)" for Francesca Woodman, Gagosian, New York, March 13–April 27, 2024.

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L to R: Francesca Woodman. "Blueprint for a Temple (II)," 1980, 171 1/2 x 125 in. Diazotype collage with gelatin silver prints. © Woodman Family Foundation / Artists Rights Society (ARS), New York. / Images 2-3: Detail of "Blueprint for a Temple (II)," 1980 / Installation view of “Francesca Woodman,” Gagosian Gallery, New York, 2024
Francesca Woodman. "Blueprint for a Temple (II)," 1980, 171 1/2 x 125 in. Diazotype collage with gelatin silver prints. © Woodman Family Foundation / Artists Rights Society (ARS), New York.
"Blueprint for a Temple (II)": Francesca Woodman. "Francesca Woodman," Gagosian, New York

"Blueprint for a Temple (II)," one of the largest and most ambitious of Francesca Woodman’s works, is on view for the first time in 44 years at Gagosian Gallery.

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