Studio Institute

We are pleased to share “Betty Woodman: Images of Function” by Layaan Roufai, who was our Library & Archives intern this summer through the Studio Institute Arts Intern program.

Hello! I’m Layaan Roufai, the Woodman Family Foundation’s Library and Archives Intern. As I perused the many publications filled with works by the Woodmans, I found myself particularly interested in the art of George Woodman.

Eliza Guzman, our intern through the Studio Institute’s Summer Arts Intern program: As the Cataloguing and Library Intern at the Woodman Family Foundation this summer, I have had the opportunity to peruse various publications showcasing the exceptional artworks by the Woodman family. Betty Woodman’s artistry, in particular, caught my attention. Her ceramic pieces have undergone a significant transformation throughout her career, illustrating her versatility across several artistic styles.

We are pleased to introduce our Cataloguing & Library Research Intern Eliza Guzman. Eliza just graduated from Gettysburg College with a major in Anthropology and a minor in Studio Art. She is working with us this summer as part of the Studio Institute Arts Intern program to build our research library of periodicals, books, and exhibition catalogues for all three of our artists.

It has been an enormous pleasure to have our Archive & Library Intern Hafsa Habib working alongside us this summer as part of the Studio Institute Arts Intern program. Hafsa has spent the summer reorganizing and rehousing Betty Woodman’s slide library collection which was no small task! Here she is with her completed project.

Hafsa Habib, The Woodman Family Foundation’s Archive & Library Intern through the Studio Institute’s Summer Arts Intern program: When I came across Betty Woodman's "Fabric Girls" series, I immediately was drawn to the colorful sculptures that were each meticulously adorned in fabric. The dynamic poses of the figures give them each a life of their own.

We are pleased to share “The Lady of the Glove: Francesca Woodman and Surrealism” by Celia Bùi Lê, who was our research intern this past summer through the Studio Institute. In her essay, Lê traces the history of Surrealism as related to women, both as maker and as muse, and discusses Woodman’s use of its tropes as a type of creative empowerment.

Hi, Celia Lê here! I am the Woodman Family Foundation’s Research Intern and my main responsibility is exhibition and provenance research for Francesca Woodman. Personally, I love how Francesca often investigates the relationship between the body and space, from the various textures created by the wall to the extension of her legs outside of the cupboard in this work.